Alyce Soulodre — Kingston Theatre Alliance

Depicting the titular woman’s dissatisfaction with her recent marriage and position in life, the famous Hedda Gabler, written by renowned playwright Henrik Ibsen, was published in 1890 and first staged in 1891. Hedda (Rachel Fenos) has married George Tesman (Aaron Alum), an academic devoted to his work, who is blissfully ignorant of her real feelings about their union. The one-room drama follows her interactions with friends and neighbours as she […]

At PXR 2024, performance meets expansive realities across physical and digital spaces. Established in 2020, the PXR (Performance and XR) Conference is Canada’s first and only conference on XR (Virtual, Augmented, and Mixed Reality) performance creation. PXR 2024, hosted by Single Thread Theatre Company, takes place in-person in Kingston, Toronto, and Vancouver, as well as virtually, from Friday, November 8th to Sunday, November 17th—local Kingston events are in partnership with […]

Rather than tumbling into a fantastical wonderland, this Alice fights against reality as she struggles with the unexpected loss of her husband, Ever. Aside from the shared name, Alice & the World We Live In has no relation to Lewis Carroll’s famous character. Written by Alexandria Haber and directed by Rosemary Doyle, this powerful two-person show stars Helen Bretzke as Alice and Sean Roberts as Ever. He appears to Alice […]

Become bewitched, bothered, and bewildered in the best way! Bee Dupuis, also known as BeeWitched, wears many hats including drag performer, event organizer, advocate, and chair of Kingston Pride. Recently I had the absolute pleasure of speaking with BeeWitched about performing drag, advocacy work, witchcraft, and the Halloween season.  This interview has been edited for length and clarity.  Dupuis’ drag persona, BeeWitched, is “the embodiment of all the beautiful, but […]

“Can I give up being a good daughter to become a better mom?” Written by Sophia Fabiilli and directed by Evalyn Parry, Why It’s imPossible is a one-person show starring Zoë Sweet as Beth, a single mom struggling to raise her kid while working on her career. However, while Sweet is phenomenal in her role, “one-person show” is a bit of an understatement—taking four years to put together, the show […]

Bring a “yes, and…” approach to your writing, with help from Wilding! In their workshop at this year’s Kingston WritersFest, Writing With Wilding – Through an Improv Lens, they offer an improvisational-based approach to energize your writing practice. Originally from Vancouver, Wilding arrived in Kingston six years ago, having spent the last 25 years (at least) working within a variety of improv, performing, and teaching roles, exploring different ways that […]

Mayhem, by the name of Mr. Marmaduke, comes to call at Mumberley Manor and chaos ensues. The Mumberley Inheritance, written by Warren C. Graves, staged at Domino Theatre with director Sara Beck and assistant director Christian Milanovic, is a fun romp that lampoons the conventions of melodrama.  Patriarch Sir Roger Mumberley (Phil Perrin) has, unbeknownst to his children Jack (Ben Hudson) and Daphne (Emily Kelly), frittered away much of the […]

Hysterical Historical Improv delivers on its promise of making history hysterical. From local group Improv Kingston, local history comes to life in a way you haven’t seen before. Dan Walmsley directs, writes, and performs, with the help of additional performers Jon Britton and Henry Korba-Babcock (as well as occasional promised special guests, although none appeared in the performance I attended).  The premise of this “historical improv” is that Walmsley has […]

A stage set with only a wooden cross draped in lingerie, Christian Slut puts the sexual content right back into a Christian upbringing. The show is a one-person “confessional” (not the Catholic kind), written and performed by Erik Karklins, about their experiences as a self-identified slut while also being a devout Christian. They tease (literally) out the nuances between these two seemingly conflicted identities, critiquing restrictive religious doctrine. Despite its […]

Taking the “sketch” in sketch comedy perhaps a little too literally, A Sketchy Kind of Show is a performance by Collected Novellas, who are self-described as focusing on “subversion, quirkiness and social commentary.” Unfortunately, I found the show itself a little lukewarm on all three counts.  The performance held potential with its interesting start—it begins with a framing device of God flipping through Netflix on the seventh day of rest […]

Listen to the wind whisper the story of The Cape as Red as Blood—a loose retelling of the Little Red Riding Hood folktale as a folk musical. Written by Kathleen Greening, this is a contemporary version of the story with a powerfully feminine vibe—soft and caring, but not weak by any means, and not to be underestimated. The five storytellers—Nightingale (Syd Chinnick), Crow (Meg Gibson), Phoenix (Hailey Hatfield), Bluebird (Elsa […]

With 23 characters, including two animals, Circus Gothic is a unique one-woman show. Jan Kudelka plays all the roles in a truly incredible performance, as might be expected given that she’s had fifty years (yes, fifty) of performing this particular show in order to perfect it. This fact alone makes it worth seeing and informs a really powerful performance.  The story is a memoir of Kudelka’s experience joining the circus […]