Photo of Amanda Lin

Amanda Lin

Past Contributor

Amanda Lin (She/Her) is an emerging Taiwanese-Canadian theatre artist who specializes in writing, directing, performance, and marketing/outreach. She currently works at Nightwood Theatre as the Marketing and Development Assistant and has previously worked with companies such as Cahoots Theatre, fu-GEN Asian Canadian Theatre Company, Single Thread Theatre Company, and Young People’s Theatre. Amanda has a BAH in Psychology, Theatre, and Business from Queen’s University, and is particularly interested in creating accessible and inclusive theatre, focused on providing a platform for underrepresented people and stories. Visit Amanda online at www.amandamlin.com.

Articles by Amanda

Go on a Blind Date with Festival Players

  • Festival Players
  • Review

Theatre in Picton, Ontario, audiences can watch Mimi (played by Christy Bruce) go on a blind date, and even have the chance to participate in the date. Blind Date is part improv, part clowning, part miming, and makes for a fun night out for audience members of all kinds.

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Prairie Nurse presents a diversity of Canadian experiences

  • Review
  • Thousand Islands Playhouse

Two Filipina nurses walk into Arborfield Memorial Hospital. You won’t believe what happens next! Marie Beath Badian was inspired to write Prairie Nurse by real people, including her mom, a nurse who immigrated from the Philippines to Canada, Penny, another Filipina nurse, and Pat Hackett, a candy striper at the hospital. Prairie Nurse is bright, energetic, and bears all the markers of a TV sit-com—wild misunderstandings, over the top characters, […]

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Thousand Islands Playhouse presents: Midsummer (a play with songs)

  • Review
  • Thousand Islands Playhouse

Upon entering the Firehall theatre, there was a sense of familiarity. The stage was dressed as a pub, complete with TV screens playing soccer games (or, since Midsummer is set in Edinburgh, “football” games) and the sound of chatter and dishes that blended smoothly into the sound of the audience talking amongst themselves. In his director’s note, Brett Christopher refers to the universality of the story that is about to […]

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The Kick & Push Festival – Beta’s Baby

  • Festival
  • Kick & Push Festival
  • Review

The first glimpse that Kingston got of Beta’s Baby came one year ago, when creators Vanessa Smythe, Mitchell Cushman, and Nick Bottomley from the Toronto-based theatre company Outside the March held a free workshop as a part of the 2017 Kick & Push Festival. The goal was to devise an immersive theatre experience that paid homage to VHS rental stores. Smythe describes the show as a “love letter to the […]

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In honour of Kim Renders I am no longer keeping quiet

  • Interview

I feel very fortunate to have gotten to know Kim during my time studying at Queen’s University. I would like to share some of the memories that I have of her—not because I think my relationship with her was unique or special in any way, but exactly the opposite. The way she touched my life is so similar to how she touched the lives of many other students at Queen’s.

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Blue Canoe Productions presents Legally Blonde: The Musical

  • Blue Canoe Productions
  • Review

Blue Canoe’s production of Legally Blonde: The Musical is the second show of its summer season, and features a team comprised entirely of youth (and one dog).

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The Kick and Push Festival – Space Hippo

  • Festival
  • Kick & Push Festival
  • Review

Space Hippo, presented by Mochinosha & The Wishes Mystical Puppet Company, is an epic shadow puppet show that transcends borders both on earth and in space. Artists Daniel Wishes from Canada and Seri Yanai from Japan first met while studying puppetry in London. In a shadow puppet class, the two were tasked with creating solo shows—although they were each working on their own project, audiences couldn’t help but notice how […]

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The Kick and Push Festival – Agokwe

  • Festival
  • Kick & Push Festival
  • Review

Waawaate Fobister gets straight to the point in his award-winning solo show ‘Agokwe’. There is an urgency to Agokwe—in the introduction, Nanabush states that “[Anishnaabe] culture is disappearing fast.” He doesn’t have time to let the audience draw their own conclusions.

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Art and Activism: An Interview with Jane Kirby

  • Interview
  • News

ane Kirby had recently graduated with a Masters in International Development when she was beginning to feel burnt out from working in non-profits and social justice organizations. At first, circus was a fun escape—but now, she reflects upon how her background in activism bleeds into her work as a circus artist.

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Storefront Fringe – The Boogeyman

  • Review
  • Storefront Fringe Festival
  • Theatre Kingston

If you’re in search for a scary story to tell, looking at real life events may be a good place to start. Tyler Mathews is a Kingston playwright who stumbled upon the story of American serial killer Albert Fish (or The Boogeyman as he was sometimes known), and latched onto the story due to his interest in exploring the darkest human impulses.

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Storefront Fringe – The Pigeon

  • Festival
  • Review
  • Storefront Fringe Festival

There’s something so cathartic about watching a play about revenge—maybe it’s something to do with how we want to believe the world is just, and that evil actions have consequences.

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Storefront Fringe – Suspicious Activity

  • Festival
  • Review
  • Storefront Fringe Festival

In Tabia Lau’s new Pride and Prejudice-inspired play, there are two possible endings. And after seeing it once, you’re going to want to watch it again

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