Articles by Haley
Experimental Mime and Shadow Play: Nathan Zhe Talks ‘Snow in Midsummer: The Silence’
- Artist
- Interview
- Yu Theatre Society
To call Nathan Zhe the co-producer and director of Yu Theatre Society’s Snow in Midsummer: The Silence feels like an oversimplification of his role. After all, he’s also the show’s technical director, sound designer, and live sound programmer, as well as one of two student playwrights who adapted the 12th-century Chinese script to create a non-verbal performance using shadows and movement.
Put Your Hands In The Air For ‘Bonnie & Clyde’
- Kingston Meistersingers
- Review
They’re young, they’re in love, and they’re in possession of stolen firearms. The Kingston Meistersingers are stealing hearts this season with Bonnie & Clyde, a fast-paced musical based on the story of real-life crime duo Bonnie Parker (Rachel Savlov) and Clyde Barrow (Rowan Engen). Parker and Barrow’s infamous exploits and violent deaths in the 1930s sparked enduring public interest, inspiring numerous adaptations in the nearly hundred years since their heyday. […]
Elsa McKnight Gets Experimental
- Artist
- Interview
- Queen's Theatre Troupe
“Everything is useful. Everything is worth studying.” When I met with Elsa McKnight to discuss EXPERIMENT 1a, I was slightly surprised by her cheerful demeanour. While the show’s marketing has a rather ominous tone—with black-and-red posters that read “Tabula Rasa Laboratory: We Are Always Watching” and Instagram posts with captions like “lean into the uncertainty” and “have you given up on society?”—its creator is warm and chatty, with a distinct […]
Disturbingly Congenial and Delightfully Frightening: ‘Dr. Jekyll & Mr. Hyde’
- Domino Theatre
- Review
Whether you recognize it from the theatre, the cinema, the Victorian novella, or the iconic Arthur song, the Strange Case of Dr Jekyll and Mr Hyde is an enduring cultural touchstone. With a healthy mix of good and evil, fantasy and drama, this story provides the perfect recipe for a spooky autumn play—which means it’s arrived at Domino Theatre just in time. Based on Robert Louis Stevenson’s 1886 gothic horror […]
Going Back To School with “All I Really Need To Know I Learned In Kindergarten”
- Review
- The Spire
Amid the bustle of back-to-school season, a new local theatre club offers a charming take on an old collection of stories. Full of thought-provoking subject matter and peppy performances, The Spire’s Seniors’ Theatre Group presents All I Really Need to Know I Learned in Kindergarten. Conceived and adapted in 1992 by Ernest Zulia with music by David Caldwell, All I Really Need to Know I Learned in Kindergarten is based […]
Catching Up With Jesse Gazic: ‘The Hunt for the Brightwing Butterfly’
- Artist
- Interview
- Lockwood Immersive
Jesse Gazic is a Toronto-based game designer, theatre maker, and Queen’s alum—and this summer, he’s been leading a puzzling adventure to catch an elusive butterfly in High Park. When I first arrived at Queen’s in 2014, I thought Gazic was the coolest person in the very grown-up-seeming cohort of third-year drama students. Though our paths have seldom crossed since he graduated—he’s somewhat elusive himself—I recently managed to catch Gazic for […]
You Can Relax Your Eyes Now: Listening to ‘What Brings You In’ on the City Bus
- Kick & Push Festival
- Review
What parts of yourself are you hiding? What do you filter out? Is it safe to be heard? Listen, I’ll be honest—things weren’t going too well for me last Friday. After forgetting my glasses, taking the bus to the wrong venue, and discovering that the lone ballpoint pen at the bottom of my purse had run dry, I almost gave up on seeing What Brings You In. Luckily, the Kick […]
Ephemeral Public Art at the Kick & Push Festival
- Centre culturel Frontenac
- Corpus Dance Projects
- Kick & Push Festival
- Review
From singing goddesses to living sculptures, strange and striking works of art have been appearing downtown as the 2024 Kick & Push Festival rolls out its summer programming. Specializing in one-of-a-kind, immersive theatre experiences, the festival’s tenth season offers a range of blink-and-you’ll-miss-it performances from July 25 to August 18. Corpus Dance Projects’ Divine Interventions made a brief appearance at the start of the festival, bringing celestial wonder to three […]
A DJ’s-Eye View of Hotel Bar Bacchanalia: ‘ABD with Mark the C’
- Kick & Push Festival
- Review
- TK Fringe
“I was in the car the other day, listening to music and thinking about loss.” So begins Threshold Theatre’s ABD with Mark the C, a gently humorous memoir of the 60s and 70s delivered from inside a DJ booth. Written and performed by Mark Cassidy and directed by Hume Baugh, the show traces Cassidy’s journey through small-town Ontario as a child of hotel entrepreneurs. Let’s tackle the title letter by […]
A Devilishly Delightful Prelude to TK Fringe: ‘El Diablo of the Cards 2.0’
- Review
- Theatre Kingston
A tight 45 minutes of magic served with a citrus twist. Hailing from Ouro Preto, Brazil, Ewerton Martins—better known as El Diablo of the Cards—is a globetrotting magician and card-carrying clown. His last local appearance was at TK Fringe in 2019, where audiences were enraptured by his devilish charisma and skillful sleight of hand. This year, El Diablo is back to kick off Theatre Kingston’s summer programming with two performances […]
Creating Characters with Carisa Hendrix: A Lucy Darling Story
- Interview
- Theatre Kingston
Lucy Darling is a world-renowned socialite whose dazzling stage magic and improvisational comedy will be gracing Theatre Kingston next weekend. While Ms. Darling was much too busy to meet me for an interview—and, really, can you blame her? She has places to be!—I recently had the opportunity to speak with Carisa Hendrix, the performer and magician behind the persona. After a delightful potation of Lucy Darling YouTube content, I met […]
Creepy Clowns, Cups of Coffee, Cringeworthy Cavemen, and Cantankerous Castmates: Come Play By The Lake at Domino Theatre
- Domino Theatre
- Review
At Come Play By The Lake, short works by local playwrights take to the Domino Theatre stage and compete for a place in the Eastern Ontario Drama League (EODL)’s One Act Festival. Ranging from 25 to 55 minutes in length and spanning multiple genres—the 2024 submissions include horror, romance, comedy, and metatheatre—the productions are evaluated by a panel of judges selected from the local arts community. This year, Donna Chambers, […]