Jordan Pike — Kingston Theatre Alliance

Described as a part-techno concert and part autobiographical, the musical innovatively tells the entertaining and captivating story of Collier’s life, starting at the beginning of the universe.

like a surprising combination to some. On May 27, the Watershed Festival presented award-winning composer and DAN School of Drama and Music’s artist-in-residence Leslie Arden’s latest commission The Lancashire Lass, a full-length musical that will receive its premiere at next year’s festival. 

In a moment where Zoom meetings, doom-scrolling, and our digital worlds seem repetitive as ever, Single Thread Theatre Company’s production of Collider presents a profoundly innovative way to bring digital theatre to Canadian audiences.

Digital Debris Fest 2, a digital showcase of their year’s work. The digital event featured 15 different artistic iterations that seamlessly incorporated music, digital media, videography, calligraphy, revealing the true interdisciplinary talents of the students. 

For arts professionals in Kingston, a silver lining might be slowly beginning to appear. On January 28, 2021, Kingston Mayor Bryan Paterson passed a motion that allocated an additional $200,000 towards artists and arts non-profits in Kingston, directly related to the impact that COVID-19 has brought forth on Kingston’s arts sector.

On March 3rd, the Dan Studio Series produced its winter installment, DSS: Jigsaw. There were clear aspects that DSS was able to innovate and progress upon based on the ubiquitous learning curve that creatives faced while adapting to a virtual environment last semester. 

towards cultures outside our own. Live-streamed from Toronto’s Theatre Passe Muraille, the production was digitally co-presented by the Grand Onstage.  Resembling more of a cabaret than a theatrical play, the performance shifts between musical numbers and anecdotes from the two performers.

When Ontario went into a full lockdown in late December, the prospect of theatre, even digital, seemed far-fetched. Yet, in the midst of uncertainty and anxiety from the lockdown, something beautiful happened for Kingston’s small, but mighty theatre community. 

What do famed Canadian comedians Lorne Greene, Robertson Davies and eleven current Queen’s students all have in common? Queen’s Players!   The oldest club at Queen’s University, dating back to 1900, Players describe themselves as “a cross between Saturday Night Live, a rock concert, and a kegger.”  In a non-COVID world, Players would consist of crowded performances at The Mansion full of flowing pitchers and Players singing along to pop hits […]

This is the second of a three part series on Kingston (and surrounding areas) Theatre during the COVID-19 pandemic. Click here to view the first piece on Kirsi Hunnakko, and follow the Kingston Theatre Alliance on Facebook to receive updates as we continue the series. Chad McNamara, an accomplished Canadian triple threat performer, has a unique role with St Lawrence College’s Musical Theatre program. As Placement Coordinator, he is responsible […]

r escapism, which frankly, seems like a necessity in 2020. However, I have yet to experience a production that feels as escapist as Blue Canoe’s Voulez-Zoom. Running just over an hour, this feel-good, dance party-esque show lured me into the fun and joy that is Mamma Mia. 

On November 13th, I had the unique privilege of virtually attending a digital live-stream of The Chemical Valley Project, a production featuring a unique mix of projection design, object puppetry and solo-performance. This show first premiered in 2017 at the Art in Solidarity: Performance in Protest in Toronto, Ontario. Since its original premiere, the show has toured across Ontario, BC, and even in Germany in 2018. The production was performed […]