Photo of Holly Hebert

Holly Hebert

Current Contributor

Holly (she/her) is a theatre artist with a passion for analyzing theatre in order to see it grow. She has previously written for DARTcritics.com, Intermission Magazine, and has been a participant in two installments of the New Young Reviewers program with Toronto Fringe. Being Kingston-raised, Holly loves the opportunity to engage with the theatre community in the city. If you have any questions or comments about the blog, email editor@kingstontheatre.ca.

Articles by Holly

Headshot of Richard Willis. He wears a blue shirt and stands in front of a grey-blue background.

Writing a Play is Like Watching a Film: Richard Sheridan Willis on ‘Boy Beatle’

  • Interview
  • News
  • Playwright
  • Theatre Kingston

The classic saying is, “The show must go on!” Well, so must the review… sort of.  With our small team at the KTA, unfortunately when one of us is struck with sickness, there’s a bit of reworking to be done. This was the case last week, just as we were about to review Theatre Kingston’s production of Boy Beatle. However, we luckily managed to work out a short interview through […]

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Graphic for the 2024 Kick & Push Festival. The image is blue with white writing of "The Kick & Push Festival 2024" in the centre and orange lines in each of the corners.

10s All Around: A Decade of Kick & Push Festivals

  • Interview
  • Kick & Push Festival

The tenth day of the tenth month. What better time to read about the Kick & Push Festival’s tenth season?  Although summer may be long over by now, the KTA has just finished wrapping up the necessary paperwork that must come with the annual Kick & Push Festival. As my colleague and Artistic Producer of the Kick & Push Liam Karry recently closed the books on this year’s busy run, […]

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Image of Jeff McGilton. He wears a blue turtleneck and smiles looking off to the side.

Raising Stakes: Jeff McGilton Talks Kingston WritersFest

  • Artist
  • Interview
  • Writersfest

Participating and playing in this year’s WritersFest is Jeff McGilton, a multi-faceted artist who Kingston has the pleasure of engaging this week as he and Mariah (Mo) Horner will be facilitating a workshop in the September festival titled Participatory Play. Earlier this year, Horner and Jenn Stephenson published Play: Dramaturgies of Participation and the workshop—a TeensWrite Studio event—will guide teens through concepts in the book, mainly focussing on participatory theatre. […]

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Headshot of Bojana Babić. She is in front of a plain wall looking down. The image is in black and white.

Absurdism at The Kick & Push Festival: Bojana Babić’s ‘Basement Girl’

  • Artist
  • Interview
  • Kick & Push Festival

It’s the last show of the 2024 Kick & Push Festival—Basement Girl, a play about PhD student Jovana navigating her new life in Canada while dealing with some eerie sounds in her apartment. Director, playwright, and actor behind Jovana, Bojana Babić was kind enough to sit down with me this past week for a Zoom interview about the show.  This interview has been edited for clarity and length.  Could you […]

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The 2024 Kick & Push Festival's poster for the Cedar Island Residency. The title is in the centre of the graphic. The Kick & Push logo is in the bottom left, and the Parks Canada logo is in the bottom right. The background is blue with green lines.

Curating Sacred Spaces: The 2024 Cedar Island Residency

  • Artist
  • Interview
  • Kick & Push Festival

Artistic work that’s been a part of the Kick & Push Festival for several years now, the Cedar Island Residency returns for 2024 and this year’s creations will be shared today. By collaborating with Parks Canada to make this residency possible, the work on Cedar Island began just under one week ago on August 12th. With a busy past few days of creation, myself and B. Solomon—a creator in the […]

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A man dancing in a park.

Seymour Irons on Re-seeing Space and Redeveloping Scripts

  • Artist
  • Interview
  • Kick & Push Festival

The 2024 Kick & Push Festival is well underway with their upcoming closing weekend ending on a bang. With just over half the programming still remaining in its final days, wonderfully fabulous artists and their innovative creations will be leaving their mark on the Tett Centre, Cedar Island, City Park, and more. Amongst them is Seymour Irons—a man who wears many artistic hats but we’ll dive into that later—and his […]

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2024 FOLDA logo. Text includes: "FOLDA Festival of Live Digital Art".

Kingston’s Annual Digital Arts Fest: Live in Two Days

  • FOLDA
  • Interview

Kingston’s annual Festival of Live Digital Arts (FOLDA) is once again on the horizon (and no, that is not a pun directed at HORIZON 360°—a film in this year’s lineup). As a hectic week is underway for the team and busy schedules abound in summer months, I conducted an eight-question email interview with Co-Curator Michael Wheeler about an intensive run alongside FOLDA in partnership with Ingenuity Labs: The StartUp. This […]

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Blue Canoe Productions' 'Rent'. The title and presenting companies are noted. There is an animation of a brick wall with four different coloured windows and shadows inside them.

Tangoing with ‘Rent’

  • Blue Canoe Productions
  • Juvenis Festival
  • Review

A group of young artists puts on a musical about young artists in a festival for young artists. Blue Canoe Productions and the 2024 Juvenis Festival present Rent, directed by Dylan Chenier.  Jonathan Larson’s Rent, loosely based on Giacomo Puccini’s La Bohème, tells the story of young artists as they traverse through gentrification, love, and the HIV and AIDS epidemic present in the 80s and 90s. With New York City […]

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Poster for 'Unknown Caller'. The playwright and director is noted.

No Connection is Too Fleeting: Shay O’Brien on ‘Unknown Caller’

  • Artist
  • Blue Canoe Productions
  • Interview
  • Juvenis Festival

Kingston’s annual Juvenis Festival run by Blue Canoe Productions is underway and this year’s lineup of shows includes the premiere of Shay O’Brien’s Unknown Caller. The fourth year Queen’s University student has not only written the hour-long piece but is directing the show as well. After reading its mysterious description, my attention piqued and once I was put in contact with O’Brien, an interview was born. I hopped on Zoom […]

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Image that reads, "Queen's Students on Theatre Criticism" with small drawn images or writing utensils, a typewriter, and letters.

“Good Bad Reviews and Bad Bad Reviews”: Queen’s Students on Theatre Criticism

  • DAN Studio Series
  • Interview
  • Queen's University

When it comes to theatre criticism, there are dozens of different opinions about its pros and cons. Of course readers have their valued takes but if there’s ever a disconnect that draws a line, it’s usually between the folks writing and publishing a review, and the folks involved in the production. Recently, the Kingston Theatre Alliance (KTA) received an email about a review and subsequent editor’s article, both written by […]

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Poster for Kingston Meistersingers' production of 'We Will Rock You!'. The title, production company, dates, times, and location are noted.

A Blast From the Past and a Flash to the Future

  • Kingston Meistersingers
  • Review

You’ve heard of iPhone, iPod, iPad, but what about iWorld?  Kingston Meistersingers’ production of We Will Rock You!, directed by Rachael McDonald, is a jukebox musical with songs by Queen and book by Ben Elton. Bringing a collection of rock hits to Domino Theatre’s stage, the show flashes forward hundreds of years into the future: the world is run by Globalsoft, a music corporation that has destroyed and banned all […]

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Poster for 'Total Eclipse of the Arts'. Animation of the moon partially covering the sun with a QR code in the middle.

‘Solar Eclipse of the Arts’: Merging Science and Theatre

  • Interview
  • Queen's University

The prompt: write a play about solar eclipses.  The students of Queen’s University (QU)’s DRAM 251 class were tasked with this in their 2023 fall semester. 24 plays were written as a result and seven have gone on to be dramaturged by the students of QU’s DRAM 339 class this 2024 winter semester. But the collaboration doesn’t end here. The seven plays will have staged readings tomorrow, March 25th, 2024 as […]

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