Kingston Theatre Alliance

Since my first dreary days as an ArtSci frosh, getting stuck in a crowd of Queen’s students has been a surefire way to bring out my inner Wednesday Addams. As I stood in the Rotunda Theatre’s packed lobby on Thursday evening, noisy whirls of preview-night chatter ricocheting in my ears, I felt a distinct urge to crawl deeper into my own skin. When I realized my arms were crossed and […]

You’ve heard of iPhone, iPod, iPad, but what about iWorld?  Kingston Meistersingers’ production of We Will Rock You!, directed by Rachael McDonald, is a jukebox musical with songs by Queen and book by Ben Elton. Bringing a collection of rock hits to Domino Theatre’s stage, the show flashes forward hundreds of years into the future: the world is run by Globalsoft, a music corporation that has destroyed and banned all […]

Audiences are wondering if all the world’s a billboard as the latest trend in corporate sponsorship emerges in Kingston’s theatre scene. Previously known as Domino Theatre, the new Domino’s Pizza Theatre will soon follow the lead of Slush Puppie Place (formerly Leon’s Centre) in accepting commercial dough.  Rising costs of venue upkeep and drastic cuts to arts funding have been cited as motivators for more local organizations to turn to […]

The prompt: write a play about solar eclipses.  The students of Queen’s University (QU)’s DRAM 251 class were tasked with this in their 2023 fall semester. 24 plays were written as a result and seven have gone on to be dramaturged by the students of QU’s DRAM 339 class this 2024 winter semester. But the collaboration doesn’t end here. The seven plays will have staged readings tomorrow, March 25th, 2024 as […]

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Set forth on a journey through the Forest of Arden where love and laughter intersect to create a fascinatingly funny story. As You Like It is written by the brilliant William Shakespeare and Domino Theatre’s production of the show, directed by Peter Aston, is now playing. Personally, I am not a big Shakespeare theatre-goer. I read a few of the plays in high school and saw some live performances, but […]

“The biggest mistake any of us could make would be to underestimate Satan.” –Paradise Lost Paradise Lost is an interesting and unique retelling of the story of Adam and Eve, and the first battle between good and evil. By Playwright Erin Shields and directed by Evalyn Parry, the play is loosely based on John Milton’s poem of the same name. Paradise Lost flips everything we were taught about the story […]

You know how the story goes: boy meets girl, girl meets Satan, Satan tempts girl, girl eats fruit, boy eats fruit, humankind becomes doomed, and for some reason it’s all girl’s fault. Or something like that. Adam and Eve’s fall from innocence has been told and retold across millennia. Perhaps the best-known English-language version (and certainly the one most often assigned to university students) is John Milton’s 1667 epic poem, […]

The sweeping spectacle returns! Birdbone Theatre’s Broom Dance was reviewed last year by Haley Sarfeld and has made its way back to the stage after further workshopping and the incorporation of a new collaborator. As beautifully crafted shadow puppetry, the play follows a few different storylines that explore Slavic, Italian, and Polish folklore. Curated by Aleksandra Bragoszewska, Alison Gowan, and Ekaterina with compositions by Gowan and Ekaterina, Broom Dance bewitches […]

What comes to mind when you think of audience participation? No, for real, tell me.  Don’t want to? Okay, I’ll go first. When I think of participation, the little sing-song voice in my head starts humming Al Simmons’ “Don’t Make Me Sing Along”. This tune was rattling around in my mind when I met with theatre scholars Dr. Jenn Stephenson and Mariah (Mo) Horner to talk about their research project, […]

In the afterglow of Valentine’s Day, Bottle Tree Productions presents a potent potion for theatre lovers: The Witch and The Glitch. With a bubbly cast, spellbinding physical comedy, and lighthearted songs, The Witch and The Glitch provides a much-needed remedy to the doldrums of winter. This musical fable for grown-ups features a book and lyrics by Gord Love, who directs the show, and music by Michael Capon, who serves as […]

Incredible. 

Considering Matthew Shepard by Craig Hella Johnson, for all its complexity, can simply be described as a masterpiece. Performed by The Isabel Voices, the three-part oratorio is an astounding feat. 

As I’ve sat down to write this review, I’ve been struggling with where to start. I’m fervent about giving this performance the praise it deserves yet the intricacies of an oratorio and the accompanying musical vernacular feel unfamiliar to me. However, the story on which Considering Matthew Shepard is based is one the Kingston Theatre Alliance, and myself, feel passionate towards reviewing.