DAN Studio Series Archive
“Good Bad Reviews and Bad Bad Reviews”: Queen’s Students on Theatre Criticism
- DAN Studio Series
- Interview
- Queen's University
When it comes to theatre criticism, there are dozens of different opinions about its pros and cons. Of course readers have their valued takes but if there’s ever a disconnect that draws a line, it’s usually between the folks writing and publishing a review, and the folks involved in the production. Recently, the Kingston Theatre Alliance (KTA) received an email about a review and subsequent editor’s article, both written by […]
What Future Theatre Makers Have to Offer
- DAN Studio Series
- Queen's University
- Review
The Dan Studio Series Theseus was an interesting series of shows to say the least, ranging from existential crises to Western moral stories.
A Graduate’s Guide to DSS: Odyssey
- DAN Studio Series
- Queen's University
- Review
Prior to logging onto Zoom to watch a live performance of DAN Studio Series: Odyssey, I considered how the DAN School of Drama and Music student festival played a part in my undergraduate experience. In addition to developing friends and connections throughout my years at Queen’s University, these experiences saw the honing of skills in acting, writing, and collaborating. Created and produced entirely by undergraduate students, the DAN Studio Series […]
DSS: Jigsaw; Hilarity, Sombreness and Curiosity Unfolds Virtually
- DAN Studio Series
- Queen's University
- Review
On March 3rd, the Dan Studio Series produced its winter installment, DSS: Jigsaw. There were clear aspects that DSS was able to innovate and progress upon based on the ubiquitous learning curve that creatives faced while adapting to a virtual environment last semester.
DSS: Remote Reveries Creates Innovative and Daring Theatre (Virtually) !
- DAN Studio Series
- Queen's University
- Review
DSS, a long-running staple of the Queen’s University theatre scene, is a collection of short plays entirely written, directed and performed by Queen’s Students. I had an inkling that the theatre group that was already known for their innovative and boundary-pushing theatre in a pre-COVID world would be able to adapt to these unimaginable circumstances in inventive ways. Not only did they achieve this, but they were able to exceed all expectations.