Kingston Theatre Alliance

“All animals are equal, but some animals are more equal than others.” – George Orwell One of the first classic novels I read in grade school, Orwell’s Animal Farm is one that stuck with me well beyond my eighth grade classroom. An allegory for the Russian Revolution and Stalin’s rise to power and subsequent dictatorship, the novel also carries a wider warning of the ways in which governance can be […]

A pair of rival, vicious Hollywood stars who must be kept apart at all costs somehow ending up in the same suite? What could possibly go wrong… Suite Surrender, written by Michael McKeever, is a hilarious comedy directed by Lorna Jodoin currently playing at Domino Theatre. Two feuding Hollywood starlets, Claudia McFadden (Julia Moore) and Athena Sinclair (Vanessa Costa) are invited to perform at a war benefit at the Palm […]

When I call David Suzuki on Monday morning, he is in Guelph, having performed What You Won’t Do For Love at the River Run Centre the evening before. Suzuki is turning 90 in May, but his voice carries the same calm timbre it did when he hosted Quirks and Quarks for CBC Radio back in 1975. If I close my eyes, I can pretend I’m back in my childhood home and […]

On the final evening of PXR2026 Conference, people gathered into a Virtual Reality (VR) world where rolling hills were lit by moonlight. We made our way over to sit on a hillside that sloped toward a pond, where a projection screen glowed from across the water.  Throughout the festival, VR had revealed itself not as an escape hatch but as a medium of attunement. Participants shrank to two inches tall, […]

From the moment I stepped into the Grand Theatre on Saturday evening for the Slaight Music Video Showcase—a treasured part of the Kingston Canadian Film Festival—the space was bursting with energy: jam-packed with festival attendees and creatives alike, all eager to see the hard work of local musicians, production companies, and volunteers on the screen of the Grand Theatre.  Venturing into the lobby, the space was overflowing with well-dressed attendees […]

The following review details two shows as part of PXR2026 Conference. Uncanny Alley: A New Day VR asks for a layered kind of courage. I had assumed the hardest part would be the technical unfamiliarity, but the real bravery comes when you step from your quiet room into a space full of life. This creates the opportunity to arrive exactly as you are in that moment, stepping forward with genuine […]

Presence acts as the sustaining heartbeat to live theatre. In our lifetime, where the digital age brings distancing and screen barriers, I think we are all contemplating the multidimensional angles of presence. It’s easy to refer to it on the surface layer—‘just show up’—but as our experience of ‘just showing up’ becomes increasingly challenging, the need for presence becomes increasingly desperate. As someone who often feels apprehensive about the weight […]

This article marks the beginning of the KTA’s partnership with the Kingston Music Office. We are excited to provide ongoing coverage for the vibrant music scene in Kingston and thankful for the support from the Music Office! Kingston’s very own Miss Emily is newly nominated for her second JUNO Award for Blues Album of the Year for her newest album, The Medicine. With a soulful, powerhouse voice and expressive lyrics […]

A new drama by Chloë Whitehorn, Admit Two is a one act play presented by Bottle Tree Productions that uncovers the dark, hidden secrets behind a touring circus. Upon the beginning of the show, audiences meet Dante (Craig Norton), a knife thrower for the circus who has recently been released from prison, only to find that he has been replaced by a young and feisty aerialist, Glimmer (Syd Chinnick). He sees that Glimmer has been taken under the wing of Mama Rhea (Rosemary Euringer), a maternal figure whose partner, King, runs the circus. Refamiliarizing himself with his old home, Dante encounters his old flame and clairvoyant, Persephone (Shannon Donnelly). Her harsh demeanor towards him and the others drives the story along as the cast uncovers long-held secrets and attempts to fix the many things that are broken. 

Once upon a time… Queen’s Musical Theatre’s 2026 production of Into The Woods ran for 17 shows over the course of two and a half weeks, a run that is rarely tackled by amateur theatre companies. As a performer in the show, I first wrote an article about rehearsals early in January and now I hope to capture some of the many moments that took place throughout the show run.  […]

On a frigid day this past November, I had the chance to sit down with Brett Christopher, the Artistic Director of the Thousand Islands Playhouse, to reminisce on the company’s past season. The conversation also allowed me a glimpse into their upcoming 2026 season, which is brimming with anything an audience could want, from Broadway hits to award-winning Canadian works.  This interview has been edited for length and clarity.  With […]

In the quiet darkness of a theatre before the stage lights go on, the squeaky wheels of an IV pole are our first introduction to Dr. Vivian Bearing. “It’s not my intention to give away the plot,” she tells the audience in an opening monologue that immediately breaks the fourth wall, “but I think I die at the end.”  W;t, written by Margaret Edson and directed by Martha Bailey, is […]