Kingston Theatre Alliance

From the moment I stepped into the Grand Theatre on Saturday evening for the Slaight Music Video Showcase—a treasured part of the Kingston Canadian Film Festival—the space was bursting with energy: jam-packed with festival attendees and creatives alike, all eager to see the hard work of local musicians, production companies, and volunteers on the screen of the Grand Theatre.  Venturing into the lobby, the space was overflowing with well-dressed attendees […]

The following review details two shows as part of PXR2026 Conference. Uncanny Alley: A New Day VR asks for a layered kind of courage. I had assumed the hardest part would be the technical unfamiliarity, but the real bravery comes when you step from your quiet room into a space full of life. This creates the opportunity to arrive exactly as you are in that moment, stepping forward with genuine […]

Presence acts as the sustaining heartbeat to live theatre. In our lifetime, where the digital age brings distancing and screen barriers, I think we are all contemplating the multidimensional angles of presence. It’s easy to refer to it on the surface layer—‘just show up’—but as our experience of ‘just showing up’ becomes increasingly challenging, the need for presence becomes increasingly desperate. As someone who often feels apprehensive about the weight […]

This article marks the beginning of the KTA’s partnership with the Kingston Music Office. We are excited to provide ongoing coverage for the vibrant music scene in Kingston and thankful for the support from the Music Office! Kingston’s very own Miss Emily is newly nominated for her second JUNO Award for Blues Album of the Year for her newest album, The Medicine. With a soulful, powerhouse voice and expressive lyrics […]

A new drama by Chloë Whitehorn, Admit Two is a one act play presented by Bottle Tree Productions that uncovers the dark, hidden secrets behind a touring circus. Upon the beginning of the show, audiences meet Dante (Craig Norton), a knife thrower for the circus who has recently been released from prison, only to find that he has been replaced by a young and feisty aerialist, Glimmer (Syd Chinnick). He sees that Glimmer has been taken under the wing of Mama Rhea (Rosemary Euringer), a maternal figure whose partner, King, runs the circus. Refamiliarizing himself with his old home, Dante encounters his old flame and clairvoyant, Persephone (Shannon Donnelly). Her harsh demeanor towards him and the others drives the story along as the cast uncovers long-held secrets and attempts to fix the many things that are broken. 

Once upon a time… Queen’s Musical Theatre’s 2026 production of Into The Woods ran for 17 shows over the course of two and a half weeks, a run that is rarely tackled by amateur theatre companies. As a performer in the show, I first wrote an article about rehearsals early in January and now I hope to capture some of the many moments that took place throughout the show run.  […]

On a frigid day this past November, I had the chance to sit down with Brett Christopher, the Artistic Director of the Thousand Islands Playhouse, to reminisce on the company’s past season. The conversation also allowed me a glimpse into their upcoming 2026 season, which is brimming with anything an audience could want, from Broadway hits to award-winning Canadian works.  This interview has been edited for length and clarity.  With […]

In the quiet darkness of a theatre before the stage lights go on, the squeaky wheels of an IV pole are our first introduction to Dr. Vivian Bearing. “It’s not my intention to give away the plot,” she tells the audience in an opening monologue that immediately breaks the fourth wall, “but I think I die at the end.”  W;t, written by Margaret Edson and directed by Martha Bailey, is […]

The production process behind student-run theatre is, in my experience, utterly unique from most amateur creation environments. The happenings behind the scenes of Queen’s Musical Theatre’s (QMT) Fall 2025 production of Into The Woods (music and lyrics by Stephen Sondheim, book by James Lapine) is no exception. Opening this week at the Baby Grand Theatre, this production is one I’ve had the privilege of performing in, providing me an opportunity […]

In January of 2024 Queen’s University became a hot topic across the country as news broke about the university’s multimillion dollar operating budget deficit. As the university grappled with how to handle its financial difficulties, the DAN School of Drama and Music (DSDM) has become a hot topic of its own amongst Kingston’s arts community as the classes, staff, and students have been noticeably impacted by these cuts. The sudden interest in what has until recently remained a rather autarkic community has led to some misinformation and a great deal of speculation as those both inside and outside the DSDM try to discern not only what is going on, but also how to help.

It is a truth universally acknowledged that a theatregoer in possession of holiday spirit must be in want of a show—and Domino Theatre’s production of Miss Bennet: Christmas at Pemberley, directed by Craig Norton,is a perfect answer to that want.  Taking place a few years following the events of Pride and Prejudice, the happily married Lizzy (Madeleine Smith) and Mr. Darcy (William Anderson) prepare to welcome the Bennet sisters and […]

Have you ever read a book and wished you could change a character’s fate? My first introduction to Shakespeare was struggling to decipher Romeo and Juliet on my own, without the help of SparkNotes (mostly because I didn’t know it existed), and for years afterward, whenever I thought about the play, I caught myself wishing I could change the characters’ endings. But what if that’s actually possible? Goodnight Desdemona (Good […]