Freddy Van Camp — Kingston Theatre Alliance

What is the Critic Looking For? What a loaded question! Let me ask you one. What makes great theatre? I’ll even tell you the answer.  Artists.  You want artists to be there. Artists, technicians, administrators, engineers, carpenters, bartenders, ushers, whatever their job title, you want these masters of their craft there. You want them in there doing what they love to do; making theatre happen. Ideally, you’ll find artists who […]

Like many, the idea of an online theatrical experience doesn’t excite me like it did pre-pandemic.  The anticipation of being involved with new technology has been dimmed by having to creatively engage with it out of necessity rather than curiosity for the last two years. This was the unfortunate attitude that I held when I went into the PXR (Performance and Augmented, Virtual and Mixed Reality) Conference. Immediately I felt […]

At the Domino Theatre, a by and for family Christmas meditation on what it means to believe is showing. Miracle on 34th Street as it exists onstage was adapted from the 1947 film of the same name. The premise of the show sees a stranded Kris Kringle (Phil Perrin) as he tries to spread Christmas spirit around New York City, encountering the unlikely trio of Doris Walker (Jennifer Tryon), her […]

Mel Brooks’ film The Producers was his 1967 directorial debut. Starring Zero Mostel and Gene Wilder, the story followed fading Broadway producer Max Bialystock (Mostel) as he and accountant-turned-producer Leo Bloom (Wilder) attempted to put on the worst Broadway show of all time. The Broadway musical adaptation of the film, and subsequent movie musical, stars Nathan Lane and Matthew Brodrick, following the same plot. Put on by The Kingston Meistersingers, […]

Craig Walker’s These Deeds is one of those shows that feels rewarding as you watch it. Historical fiction as a genre has this charming quality about it—ever feel “in” on the plot when a historical figure pops up in a Tarantino movie? That feeling is what Walker is able to draw out of the audience. The play follows Walker’s fictional characterizations of author Bram Stoker (George Masswohl), actor Sir Henry […]

Effortlessly effervescent and fantastically funny, Time Flies, an Evening with Ives had me stifling my laughter from beginning to end. In the small—but effective—studio of Bottle Tree Productions, I was so pleased to be in such an intimate setting for this performance and at a run time of only one hour, I was desperate for more.  The performance consists of three vignettes and two transitional monologues (performed by Kyla Todd). […]

Upon entering Kingston’s Grand Theatre, I felt I was terribly mistaken.  Throngs of people were lined up in every direction. It wasn’t the crowd I was expecting, mostly older folk. Had I not done my pre-show research on the right show? As I scanned my ticket the box office attendant asked, “Are you Colin James?”  I nervously replied, “No, I’m Freddy Van Camp.” As it turns out, Colin James is […]

I was nervous when I strolled through City Park and I saw a haphazard setup of black boxes and forest-themed shower curtains. But, the Lakeside Players production of Robin Hood charmed me from start to finish. The well-known fairytale format was both honoured and upended for a modern audience. The writing spoke to the entire crowd, appealing to even the youngest. It was somehow modern and poetic; delectable to the […]

Lovers of Clue, and Murder by Death will be sad to know that they missed out on  Kingston Fringe’s The Murderous Mansion of Mr. Uno presented by The Not So Amateur Amateurs. The story is one you’re likely familiar with. Think Agatha Christie or “closed circle” stories like And Then There Were None. But what makes it exceptional, is the ensemble of young artists that made it happen!  The play […]

A one woman, one robot, one act show set on a space station, R.E.D. is the frugal producer’s dream show. But the cracks start to show almost immediately.

Shrimp cocktail.
Top 40 hits of the 1990’s.
The shady dealings of the 1%.
An unhinged rendition of I am The Greatest Star.

All of these elements and more can be found in Gone, presented by Toronto-based writer and performer Amber Mackereth. A romp in the anxieties of the global citizen, this work is unlike anything else playing at the Kingston Fringe.

While the show is clearly intended for a younger audience, there is an undeniable charm in Anne Marie Mortensen’s writing and the performances from the teenage actors.