FOLDA Archive

Two performers wearing collared shirts, both with red hair, pose in front of a green screen.

‘The MaryRobin Show’ Delivers Big Laughs and Bold Moves 

  • Deaf Spirit Theatre
  • FOLDA
  • Review

From the mischievous grins on the show’s poster to the “may not be suitable for children” warning, The MaryRobin Show makes its intentions very clear: this is going to be fun. And it is!  Created by Deaf artists Elizabeth Morris and Hayley Hudson, The MaryRobin Show is a lively combination of sketch comedy, visual storytelling, and improv. Morris and Hudson are longtime collaborators through Deaf Spirit Theatre, a company they […]

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An art piece which looks like two plants have grown from the ground that appear like hands.

Life Through the Eyes of a Spud: ‘Kinnomics’

  • FOLDA
  • Review

There is no better place to begin building the foundation for radical change than in the dirt. Kinnomics by Iman Datoo opened on Friday, June 6 as an exhibit co-presented by the Festival of Live Digital Art (FOLDA) and the Agnes Etherington Art Centre. The exhibit opens the Agnes’ offsite space at 207 Stuart Street and explores how an organism or an artwork embedded in one ecosystem can find kinship […]

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Poster for Peerless Productions' 'Reflections and Refractions'. Poster includes a picture of the performers, the title, creator names, dates, location, and ticket link.

Reflections and Refractions: A Mirror to Creativity Without Limits

  • FOLDA
  • Peerless Productions
  • Review

The boundaries between digital art and live performance are blurred in Peerless Productions’ Reflections and Refractions. Presented as part of the Festival of Live Digital Art (FOLDA), the show brings together sound, light, movement, and digital design in a thought-provoking production. Arriving at the Isabel Bader Centre, I wasn’t quite sure what to expect, but I knew it wouldn’t be traditional. That’s part of the FOLDA promise: to offer “what’s […]

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Image of a hospital room. The bed is in the centre with a curtain to the right and a wheelchair to the left. There are many medical devices in the room.

2021 Is a Pixel Perfect Performance

  • FOLDA
  • Review

Imagine this: you walk into a room and see ten objects laid out in front of you. A wallet, a medallion box, two remote controls, a Father’s Day card, a photo book, a radio, a stack of papers, an empty milk jug, and a cell phone. Carefully and strategically placed by Scenic Designer Helen Yung, you know each of these items holds the memories of a person, but you don’t know who exactly. Soon, you will find that the owner of these belongings is Brian Lewis, an unhoused veteran who is the father of Cole Lewis, the co-creator and performer of 2021. Lewis, along with Co-creator and Performer Patrick Belnkarn will guide you through the video game version of the very real story that is the last two weeks of Brian Lewis’s life. Exploring themes of  parenthood, the effects of war, ethics in artificial intelligence (AI), and terminal illness, 2021 is a show that can connect with people from all walks of life.

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A polaroid photo os two people walking down a street and three green fruits on a wooden surface.

‘WindRush’ Is a Breath of Fresh Air

  • FOLDA
  • Review

How do Black Caribbean men say ‘I love you’? Or perhaps a better question is, how do they show it? This curiosity is what sparked Marcel Stewart’s inspiration for creating WindRush. Also playing the character Basil, Stewart pieces together a realistic and gripping story about a Jamaican man experiencing loss, grief, friendships, and siblinghood.

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Image of a person with a phone in front of them. Phone shows a picture of them with a phone in front of them. That phone shows a picture of them with a phone in front of them, so on and so forth.

Fun at FOLDA: Exploring the Festival of Live Digital Art 2024, Part Two

  • Festival
  • FOLDA
  • Review
  • Spiderwebshow

The cardinal rules of theatre: sit still, don’t chitchat, and make sure your phone is on silent and put away. Adrienne Wong chooses to challenge these conventions, exploring our relationships with our devices through audience participation. 

The 2024 Festival of Live Digital Art (FOLDA), produced by SpiderWebShowPerformance, took place from June 13-15. In this section (catch Part One here!), I take a deep dive into SmartSmart, an interactive performance by Adrienne Wong that was staged at the Isabel Bader Centre for the Performing Arts. In my previous review of FOLDA 2024, I mentioned that the festival promotes innovation, creativity, and reflection, and SmartSmart very much embodies these values.

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Festival of Live Digital Art 2024's logo is in the top left corner. In the top right corner is an image of people skating. In the bottom left corner is a graphic of someone playing the guitar surrounded by many colours. On the bottom right is an image of a woman onstage wearing headphones and a dress.

Fun at FOLDA: Exploring the Festival of Live Digital Art 2024, Part One

  • Festival
  • FOLDA
  • Review
  • Spiderwebshow

Where can you catch a groovy concert, talk to a multimedia AI interface, and take in a 360-degree film in a dome, all in one weekend? FOLDA, of course!  The Festival of Live Digital Art (FOLDA), produced by SpiderWebShowPerformance, promotes live digital art with the hopes of empowering communities, creating connections, and inspiring critique. The 2024 festival took place from June 13-15, and I was fortunate to have the opportunity […]

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2024 FOLDA logo. Text includes: "FOLDA Festival of Live Digital Art".

Kingston’s Annual Digital Arts Fest: Live in Two Days

  • Festival
  • FOLDA
  • Interview
  • Spiderwebshow

Kingston’s annual Festival of Live Digital Arts (FOLDA) is once again on the horizon (and no, that is not a pun directed at HORIZON 360°—a film in this year’s lineup). As a hectic week is underway for the team and busy schedules abound in summer months, I conducted an eight-question email interview with Co-Curator Michael Wheeler about an intensive run alongside FOLDA in partnership with Ingenuity Labs: The StartUp. This […]

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Image of a person staring at a pixelated image.

‘asses.masses’: One FOLDA-goer’s Assessment

  • Festival
  • FOLDA
  • Review
  • Spiderwebshow

The theatre is dark. A single video game controller sits under a spotlight in front of a projector screen. With no rules, and in no established order, audience members take turns leaving their seats and approaching the stage. One at a time, these brave players take control of asses.masses. Over several hours, a story of revolution, carnage, reincarnation, and collective care unfolds.  Presented by the Festival of Live Digital Arts […]

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Poster for 'Home' On the left, an image of a person facedown on the ground with their hand reaching out. On right an image of only one eye.

Captivating Charisma: ‘Home’

  • Festival
  • FOLDA
  • Review
  • Spiderwebshow

How would you feel if someone invaded your home—a place meant for comfort and security? Home is a solo performance starring Beau Dixon, performed at the Isabel Bader Centre and was a part of the Festival of Live Digital Art (FOLDA). In Home, Beau Dixon recalls his personal experience of a home invasion and how it changed him. He describes and recreates important moments of his life, but we are […]

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Chisato Minamimura performing 'Scored in Silence'

Where No One Sense Takes Priority: ‘Scored in Silence’

  • Festival
  • FOLDA
  • Review
  • Spiderwebshow

Imagine being in Hiroshima when the atomic bomb dropped. Now imagine having no way to hear it. Scored in Silence is an excellent solo show, starring Deaf performer, Chisato Minamimura, and was performed as part of the Festival of Live Digital Art (FOLDA) at the Isabel Bader Centre. The performance recounts World War II and the effects of the atomic bomb on Japan, but more specifically how it affected the […]

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In conversation with Clayton Lee and Michael Rubenfeld from ‘Ways of Being’

  • Artist
  • Festival
  • FOLDA
  • Interview
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Spiderwebshow

Ways of Being was an interactive performance for two different groups of audience, in two different cities simultaneously. Returning to Kingston as a part of FOLDA 2022, the work transformed me into both the performer and audience, spectator and entertainer. And as someone interested in the human condition, Ways of Being gave me the space to explore and understand, “How do we become the people we are at any given moment? […]

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