Interview — Kingston Theatre Alliance

If you’ve ever awkwardly stood by one of your friends as they catch up with someone you don’t know, you should keep reading. And if you don’t know Paul Smith, you definitely know someone who does.

When we imagine opera, we think of majestic, luxurious theatres revolving around an artistic tradition that has spanned since the 16th Century. Rarely would we imagine opera to present itself as five-minute iterations presented digitally.  Yet, on March 16th, the Musical Theatre Ensemble at Queen’s University, a course facilitated through the Dan School of Drama and Music, digitally presented Aitch Arr, a mini-opera created by Afarin Mansouri and Donna-Michelle St. […]

If you’ve been paying attention, the name Francisco Corbett should not be new on your tongue. You may think I’m confusing him for a ‘franciscocorbn’, but that’s actually just his Instagram handle. Rookie mistake.

Danika Lochhead (pronounced Lock-heed) plays a crucial role in fostering opportunities for theatre creation and appreciation in Kingston about which not nearly enough theatre practitioners in the community know.

Rosemary Doyle, the incoming Artistic Director of Theatre Kingston, invited me into her office – which she recently reconfigured to make it more inviting to passersby – for this interview.

I feel very fortunate to have gotten to know Kim during my time studying at Queen’s University. I would like to share some of the memories that I have of her—not because I think my relationship with her was unique or special in any way, but exactly the opposite. The way she touched my life is so similar to how she touched the lives of many other students at Queen’s.

ane Kirby had recently graduated with a Masters in International Development when she was beginning to feel burnt out from working in non-profits and social justice organizations. At first, circus was a fun escape—but now, she reflects upon how her background in activism bleeds into her work as a circus artist.