TK Fringe — Kingston Theatre Alliance

“What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves?”- Thomas Merton Presented at Theatre Kingston’s Fringe Festival, Color and Light’s Sailing to the Moon follows a young, wandering man named Tom (Thomas Cherney) who is trying to understand the value in pursuing monastic life in a forest. Injuring his foot on his journey to the monastery, […]

Lovers of Clue, and Murder by Death will be sad to know that they missed out on  Kingston Fringe’s The Murderous Mansion of Mr. Uno presented by The Not So Amateur Amateurs. The story is one you’re likely familiar with. Think Agatha Christie or “closed circle” stories like And Then There Were None. But what makes it exceptional, is the ensemble of young artists that made it happen!  The play […]

A one woman, one robot, one act show set on a space station, R.E.D. is the frugal producer’s dream show. But the cracks start to show almost immediately.

Shrimp cocktail.
Top 40 hits of the 1990’s.
The shady dealings of the 1%.
An unhinged rendition of I am The Greatest Star.

All of these elements and more can be found in Gone, presented by Toronto-based writer and performer Amber Mackereth. A romp in the anxieties of the global citizen, this work is unlike anything else playing at the Kingston Fringe.

Never Swim Alone is a Canadian classic that just needs a little more reinvention than what the script calls for. My understanding of the work is that it’s meant to be a critique of the ways in which men have been socialized, yet the play as it stands does not offer anything more than making toxic masculinity known.

Too Much Information Improvised was a part of the 2022 Kingston Fringe, produced by the Kick & Push Festival. It is performed by two real life exes, Paddy MacDonald and Steph Haller. The allure of the work is the fact that they used to be in a romantic relationship with one another, so the expectation is that maybe there is fighting, and lots of tension. It was a lovely surprise that there was not, like none at all, unless the performance called for it.

While the show is clearly intended for a younger audience, there is an undeniable charm in Anne Marie Mortensen’s writing and the performances from the teenage actors.