Interview — Kingston Theatre Alliance

5 Q’s, 5 Femmes is a short series facilitated by writer Kemi King, interviewing five femme identifying artists; getting to know a little bit about them and their craft.  This interview is with Alyssa Vernon. Alyssa is a Queen’s University graduate in Gender Studies, with History and English teachables. As an educator, Alyssa strives to continually advocate for marginalized students and believes in the power of art as resistance, paired […]

5 Q’s, 5 Femmes is a short series facilitated by writer Kemi King, interviewing five femme identifying artists; getting to know a little bit about them and their craft.  This interview is with Aisling Murphy. Originally from Baltimore, Maryland, Aisling is a playwright, critic, dramaturg, and academic. Aisling is a staff reporter at the Toronto Star, the senior editor at Intermission Magazine and president of the Canadian Theatre Critics Association. […]

5 Q’s, 5 Femmes is a short series facilitated by writer Kemi King, interviewing five femme identifying artists; getting to know a little bit about them and their craft.   This interview is with Jill Glatt, a Katarokwi/Kingston-based illustrator, printmaker, arts educator, and French teacher with the Limestone District School Board. She has developed and delivered programming for the Tett Centre for Creativity and Learning, Kingston Arts Council, Centre Culturel Frontenac, […]

Return of the Megafauna created by Bad New Days is a physical theatre piece that was a part of the 2022 Kick and Push festival. The piece is contextualized through the company’s understanding of post-humanism and de-extinction, where the images of the future are utopic rather than dystopian. De-extinction is defined as the process of generating an organism that either resembles or is an extinct species.  I encountered the piece […]

Jesse H. Wabegijig is one of the artists for the 2022 Kick & Push Indigenous residency.  They spent the residency working on their new play, where Jesse was able to put together an installation that went up in the Tett Centre for creativity and learning. On the opening night of the installation I got the chance to speak to them about the time in the residency, and to hear a […]

“If I hear another friggin’ theatre thing where someone tells me that we’re all family, I will just run, turn the other way and run. The interesting thing: I was not met with that kind of language with SPAF, but I was definitely met with the actual feeling of being a part of the family. The amount of people that lived around the park that actually offered me their actual bed to rest in during the festival, or their bathroom to use, or food to make like—I have never been a part of an arts event, a theatre event, that extended that kind of awareness of neighborhood.”

Ways of Being was an interactive performance for two different groups of audience, in two different cities simultaneously. Returning to Kingston as a part of FOLDA 2022, the work transformed me into both the performer and audience, spectator and entertainer. And as someone interested in the human condition, Ways of Being gave me the space to explore and understand, “How do we become the people we are at any given moment? […]

We’re All in Jeopardy is PeerLess Productions most adventurous show yet. The unique mixed-abilities theatre company returns with this multimedia comedy that was birthed from collective creation. An inter-disciplinary performance, a fictional group of local celebrities compete on a rigged game show to support make believe Kingston restaurants that have been impacted by the pandemic. The surreal spoof, directed by Kathryn MacKay with music by David Archibald, features more than […]

If you’ve ever awkwardly stood by one of your friends as they catch up with someone you don’t know, you should keep reading. And if you don’t know Paul Smith, you definitely know someone who does.

When we imagine opera, we think of majestic, luxurious theatres revolving around an artistic tradition that has spanned since the 16th Century. Rarely would we imagine opera to present itself as five-minute iterations presented digitally.  Yet, on March 16th, the Musical Theatre Ensemble at Queen’s University, a course facilitated through the Dan School of Drama and Music, digitally presented Aitch Arr, a mini-opera created by Afarin Mansouri and Donna-Michelle St. […]

If you’ve been paying attention, the name Francisco Corbett should not be new on your tongue. You may think I’m confusing him for a ‘franciscocorbn’, but that’s actually just his Instagram handle. Rookie mistake.

As the reality of the Second Wave of COVID-19 looms, another reality persists. What is the current state of our arts and creative industries?