News & Reviews Archive

Headshot of Elsa McKnight, with long brown hair, in front of a green, leafy backdrop, looking off into the distance.

Elsa McKnight Gets Experimental

  • Artist
  • Interview
  • News
  • Queen's Theatre Troupe

“Everything is useful. Everything is worth studying.” When I met with Elsa McKnight to discuss EXPERIMENT 1a, I was slightly surprised by her cheerful demeanour. While the show’s marketing has a rather ominous tone—with black-and-red posters that read “Tabula Rasa Laboratory: We Are Always Watching” and Instagram posts with captions like “lean into the uncertainty” and “have you given up on society?”—its creator is warm and chatty, with a distinct […]

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Image of a Virtual Reality world. There is a clear blue sky with very few clouds. Lovely green grass below the sky with large, full maple trees that have reddish-orange leaves.

A VR Journey: PXR 2024 is Here

  • PXR Conference
  • Review

Virtual Reality has been on the rise as a new medium in the theatre industry for a few years now, but is it ready to take the forefront? Last weekend I had the honour of attending the 2024 PXR Conference for the second year running. This time around, I attended Journey to Octopulis: Improv or Die, hosted by Unknown Theater, and Mary Shelley Lives Here, hosted by Hummingbird Interactive. Both […]

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Poster for Queen's Theatre Troupe's production of 'Hedda Gabler'. Poster includes theatre company name and logo, location, dates, director, and producer. The background is white-themed.

Modern Drawing Room Drama and Feminine Ennui in Queen’s Theatre Troupe’s ‘Hedda Gabler’

  • Queen's Theatre Troupe
  • Review

Depicting the titular woman’s dissatisfaction with her recent marriage and position in life, the famous Hedda Gabler, written by renowned playwright Henrik Ibsen, was published in 1890 and first staged in 1891. Hedda (Rachel Fenos) has married George Tesman (Aaron Alum), an academic devoted to his work, who is blissfully ignorant of her real feelings about their union. The one-room drama follows her interactions with friends and neighbours as she […]

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Poster for Theatre Kingston's production of 'Alice & The World We Live In'. The poster has Theatre Kingston's logo in the top left, "24/25 season" in the top right, the show title in the centre with the playwright, director, cast, costume and set designer, and lighting designer noted below. On the bottom of the poster are the dates and times of shows, location of shows, Theatre Kingston website link, box office link and phone number, two Kingston Theatre logos, and logos from supporters. The background of the poster is the back of a girl with long blonde hair looking off into a valley.

Far from Wonderland, ‘Alice & the World We Live In’ Bumps Up Against Reality

  • Review
  • Theatre Kingston

Rather than tumbling into a fantastical wonderland, this Alice fights against reality as she struggles with the unexpected loss of her husband, Ever. Aside from the shared name, Alice & the World We Live In has no relation to Lewis Carroll’s famous character. Written by Alexandria Haber and directed by Rosemary Doyle, this powerful two-person show stars Helen Bretzke as Alice and Sean Roberts as Ever. He appears to Alice […]

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Poster for Domino Theatre's production of 'Dr. Jekyll and Mr. Hyde'. The theatre company, title, author of the novella the play is based on, adaptation credit, and director are noted. There is also a hand holding a beaker filled with green liquid.

Disturbingly Congenial and Delightfully Frightening: ‘Dr. Jekyll & Mr. Hyde’

  • Domino Theatre
  • Review

Whether you recognize it from the theatre, the cinema, the Victorian novella, or the iconic Arthur song, the Strange Case of Dr Jekyll and Mr Hyde is an enduring cultural touchstone. With a healthy mix of good and evil, fantasy and drama, this story provides the perfect recipe for a spooky autumn play—which means it’s arrived at Domino Theatre just in time.  Based on Robert Louis Stevenson’s 1886 gothic horror […]

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Photo of a woman shouting with her arms raised.

‘Why It’s i̶m̶Possible’ Offers Possibilities for Precarious Times

  • Review
  • Sweet 'n Fab Collective

“Can I give up being a good daughter to become a better mom?” Written by Sophia Fabiilli and directed by Evalyn Parry, Why It’s imPossible is a one-person show starring Zoë Sweet as Beth, a single mom struggling to raise her kid while working on her career. However, while Sweet is phenomenal in her role, “one-person show” is a bit of an understatement—taking four years to put together, the show […]

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Poster for The Spire's production of 'All I Really Need to Know I Learned in Kindergarten'. The organization name, dates, times, supporters, where to find tickets.

Going Back To School with “All I Really Need To Know I Learned In Kindergarten”

  • Review
  • The Spire

Amid the bustle of back-to-school season, a new local theatre club offers a charming take on an old collection of stories. Full of thought-provoking subject matter and peppy performances, The Spire’s Seniors’ Theatre Group presents All I Really Need to Know I Learned in Kindergarten. Conceived and adapted in 1992 by Ernest Zulia with music by David Caldwell, All I Really Need to Know I Learned in Kindergarten is based […]

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Poster for Domino Theatre's production of 'The Mumberley Inheritance'. The company, title of show, playwright, director, and assistant director are all noted. The background is red and there is a top hat above a pair of eyes and mustache in the top right.

Mayhem Comes to Mumberley in Melodramatic Romp, ‘The Mumberley Inheritance’

  • Domino Theatre
  • Review

Mayhem, by the name of Mr. Marmaduke, comes to call at Mumberley Manor and chaos ensues. The Mumberley Inheritance, written by Warren C. Graves, staged at Domino Theatre with director Sara Beck and assistant director Christian Milanovic, is a fun romp that lampoons the conventions of melodrama.  Patriarch Sir Roger Mumberley (Phil Perrin) has, unbeknownst to his children Jack (Ben Hudson) and Daphne (Emily Kelly), frittered away much of the […]

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Graphic by The Kick & Push Festival for the show: 'What Brings You In'. The graphic includes, the show title, the festival title, the dates, the performance times, and the presenting company. The background is blue with purple squiggly lines.

You Can Relax Your Eyes Now: Listening to ‘What Brings You In’ on the City Bus 

  • Kick & Push Festival
  • Review

What parts of yourself are you hiding? What do you filter out? Is it safe to be heard? Listen, I’ll be honest—things weren’t going too well for me last Friday. After forgetting my glasses, taking the bus to the wrong venue, and discovering that the lone ballpoint pen at the bottom of my purse had run dry, I almost gave up on seeing What Brings You In.  Luckily, the Kick […]

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Poster for 'Hysterical Historical Improv' playing at the 2024 TK Fringe Festival. The TK Fringe logo is in the top left. The Kick & Push Festival logo is in the top right. The dates of the festival are top centre. In the middle is the title against a yellow background with a drawing of a naked man and a pink ring surrounding with the show's title again and the location of the show. In the bottom right is the logo for Confederation Place hotel and in the bottom centre is the text: "improv-ed history".

‘Hysterical Historical Improv’ Lives Up to its Name

  • Kick & Push Festival
  • Review
  • TK Fringe

Hysterical Historical Improv delivers on its promise of making history hysterical. From local group Improv Kingston, local history comes to life in a way you haven’t seen before. Dan Walmsley directs, writes, and performs, with the help of additional performers Jon Britton and Henry Korba-Babcock (as well as occasional promised special guests, although none appeared in the performance I attended).  The premise of this “historical improv” is that Walmsley has […]

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Poster for 'Christian Slut' playing at the 2024 TK Fringe Festival. The TK Fringe logo is in the top left. The Kick & Push Festival logo is in the top right. The dates of the festival are top centre. In the middle is an image of one individual with an open shirt. Another individual's back and back of head is seen as they hold the person's waist from a low-to-the-ground position. A purple ring surrounds the image with the show's title and the location of the show.

O Come, All Ye Thirsty: ‘Christian Slut’ Puts The XXX in Xtian 

  • Kick & Push Festival
  • Review
  • TK Fringe

A stage set with only a wooden cross draped in lingerie, Christian Slut puts the sexual content right back into a Christian upbringing. The show is a one-person “confessional” (not the Catholic kind), written and performed by Erik Karklins, about their experiences as a self-identified slut while also being a devout Christian. They tease (literally) out the nuances between these two seemingly conflicted identities, critiquing restrictive religious doctrine. Despite its […]

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Poster for 'A Sketchy Kind of Show' playing at the 2024 TK Fringe Festival. The TK Fringe logo is in the top left. The Kick & Push Festival logo is in the top right. The dates of the festival are top centre. In the middle is an image of five faces and a pink ring surrounding with the show's title and the location of the show. In the bottom right is the logo for Confederation Place hotel and in the bottom centre is the text: "Sketch comedy from Collected Novellas".

‘A Sketchy Kind of Show’ Brings Video to the Stage and Puts the “Sketch” in Sketch Comedy

  • Kick & Push Festival
  • Review
  • TK Fringe

Taking the “sketch” in sketch comedy perhaps a little too literally, A Sketchy Kind of Show is a performance by Collected Novellas, who are self-described as focusing on “subversion, quirkiness and social commentary.” Unfortunately, I found the show itself a little lukewarm on all three counts.  The performance held potential with its interesting start—it begins with a framing device of God flipping through Netflix on the seventh day of rest […]

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