News & Reviews Archive
Elsa McKnight Gets Experimental
- Artist
- Interview
- News
- Queen's Theatre Troupe
“Everything is useful. Everything is worth studying.” When I met with Elsa McKnight to discuss EXPERIMENT 1a, I was slightly surprised by her cheerful demeanour. While the show’s marketing has a rather ominous tone—with black-and-red posters that read “Tabula Rasa Laboratory: We Are Always Watching” and Instagram posts with captions like “lean into the uncertainty” and “have you given up on society?”—its creator is warm and chatty, with a distinct […]
A VR Journey: PXR 2024 is Here
- PXR Conference
- Review
Virtual Reality has been on the rise as a new medium in the theatre industry for a few years now, but is it ready to take the forefront? Last weekend I had the honour of attending the 2024 PXR Conference for the second year running. This time around, I attended Journey to Octopulis: Improv or Die, hosted by Unknown Theater, and Mary Shelley Lives Here, hosted by Hummingbird Interactive. Both […]
Modern Drawing Room Drama and Feminine Ennui in Queen’s Theatre Troupe’s ‘Hedda Gabler’
- Queen's Theatre Troupe
- Review
Depicting the titular woman’s dissatisfaction with her recent marriage and position in life, the famous Hedda Gabler, written by renowned playwright Henrik Ibsen, was published in 1890 and first staged in 1891. Hedda (Rachel Fenos) has married George Tesman (Aaron Alum), an academic devoted to his work, who is blissfully ignorant of her real feelings about their union. The one-room drama follows her interactions with friends and neighbours as she […]
Far from Wonderland, ‘Alice & the World We Live In’ Bumps Up Against Reality
- Review
- Theatre Kingston
Rather than tumbling into a fantastical wonderland, this Alice fights against reality as she struggles with the unexpected loss of her husband, Ever. Aside from the shared name, Alice & the World We Live In has no relation to Lewis Carroll’s famous character. Written by Alexandria Haber and directed by Rosemary Doyle, this powerful two-person show stars Helen Bretzke as Alice and Sean Roberts as Ever. He appears to Alice […]
Disturbingly Congenial and Delightfully Frightening: ‘Dr. Jekyll & Mr. Hyde’
- Domino Theatre
- Review
Whether you recognize it from the theatre, the cinema, the Victorian novella, or the iconic Arthur song, the Strange Case of Dr Jekyll and Mr Hyde is an enduring cultural touchstone. With a healthy mix of good and evil, fantasy and drama, this story provides the perfect recipe for a spooky autumn play—which means it’s arrived at Domino Theatre just in time. Based on Robert Louis Stevenson’s 1886 gothic horror […]
‘Why It’s i̶m̶Possible’ Offers Possibilities for Precarious Times
- Review
- Sweet 'n Fab Collective
“Can I give up being a good daughter to become a better mom?” Written by Sophia Fabiilli and directed by Evalyn Parry, Why It’s imPossible is a one-person show starring Zoë Sweet as Beth, a single mom struggling to raise her kid while working on her career. However, while Sweet is phenomenal in her role, “one-person show” is a bit of an understatement—taking four years to put together, the show […]
Going Back To School with “All I Really Need To Know I Learned In Kindergarten”
- Review
- The Spire
Amid the bustle of back-to-school season, a new local theatre club offers a charming take on an old collection of stories. Full of thought-provoking subject matter and peppy performances, The Spire’s Seniors’ Theatre Group presents All I Really Need to Know I Learned in Kindergarten. Conceived and adapted in 1992 by Ernest Zulia with music by David Caldwell, All I Really Need to Know I Learned in Kindergarten is based […]
Mayhem Comes to Mumberley in Melodramatic Romp, ‘The Mumberley Inheritance’
- Domino Theatre
- Review
Mayhem, by the name of Mr. Marmaduke, comes to call at Mumberley Manor and chaos ensues. The Mumberley Inheritance, written by Warren C. Graves, staged at Domino Theatre with director Sara Beck and assistant director Christian Milanovic, is a fun romp that lampoons the conventions of melodrama. Patriarch Sir Roger Mumberley (Phil Perrin) has, unbeknownst to his children Jack (Ben Hudson) and Daphne (Emily Kelly), frittered away much of the […]
You Can Relax Your Eyes Now: Listening to ‘What Brings You In’ on the City Bus
- Kick & Push Festival
- Review
What parts of yourself are you hiding? What do you filter out? Is it safe to be heard? Listen, I’ll be honest—things weren’t going too well for me last Friday. After forgetting my glasses, taking the bus to the wrong venue, and discovering that the lone ballpoint pen at the bottom of my purse had run dry, I almost gave up on seeing What Brings You In. Luckily, the Kick […]
‘Hysterical Historical Improv’ Lives Up to its Name
- Kick & Push Festival
- Review
- TK Fringe
Hysterical Historical Improv delivers on its promise of making history hysterical. From local group Improv Kingston, local history comes to life in a way you haven’t seen before. Dan Walmsley directs, writes, and performs, with the help of additional performers Jon Britton and Henry Korba-Babcock (as well as occasional promised special guests, although none appeared in the performance I attended). The premise of this “historical improv” is that Walmsley has […]
O Come, All Ye Thirsty: ‘Christian Slut’ Puts The XXX in Xtian
- Kick & Push Festival
- Review
- TK Fringe
A stage set with only a wooden cross draped in lingerie, Christian Slut puts the sexual content right back into a Christian upbringing. The show is a one-person “confessional” (not the Catholic kind), written and performed by Erik Karklins, about their experiences as a self-identified slut while also being a devout Christian. They tease (literally) out the nuances between these two seemingly conflicted identities, critiquing restrictive religious doctrine. Despite its […]
‘A Sketchy Kind of Show’ Brings Video to the Stage and Puts the “Sketch” in Sketch Comedy
- Kick & Push Festival
- Review
- TK Fringe
Taking the “sketch” in sketch comedy perhaps a little too literally, A Sketchy Kind of Show is a performance by Collected Novellas, who are self-described as focusing on “subversion, quirkiness and social commentary.” Unfortunately, I found the show itself a little lukewarm on all three counts. The performance held potential with its interesting start—it begins with a framing device of God flipping through Netflix on the seventh day of rest […]