News & Reviews — Kingston Theatre Alliance

Taking the “sketch” in sketch comedy perhaps a little too literally, A Sketchy Kind of Show is a performance by Collected Novellas, who are self-described as focusing on “subversion, quirkiness and social commentary.” Unfortunately, I found the show itself a little lukewarm on all three counts.  The performance held potential with its interesting start—it begins with a framing device of God flipping through Netflix on the seventh day of rest […]

From singing goddesses to living sculptures, strange and striking works of art have been appearing downtown as the 2024 Kick & Push Festival rolls out its summer programming. Specializing in one-of-a-kind, immersive theatre experiences, the festival’s tenth season offers a range of blink-and-you’ll-miss-it performances from July 25 to August 18.  Corpus Dance Projects’ Divine Interventions made a brief appearance at the start of the festival, bringing celestial wonder to three […]

Listen to the wind whisper the story of The Cape as Red as Blood—a loose retelling of the Little Red Riding Hood folktale as a folk musical. Written by Kathleen Greening, this is a contemporary version of the story with a powerfully feminine vibe—soft and caring, but not weak by any means, and not to be underestimated. The five storytellers—Nightingale (Syd Chinnick), Crow (Meg Gibson), Phoenix (Hailey Hatfield), Bluebird (Elsa […]

With 23 characters, including two animals, Circus Gothic is a unique one-woman show. Jan Kudelka plays all the roles in a truly incredible performance, as might be expected given that she’s had fifty years (yes, fifty) of performing this particular show in order to perfect it. This fact alone makes it worth seeing and informs a really powerful performance.  The story is a memoir of Kudelka’s experience joining the circus […]

A self-identified bitch and a boss—Crazy Bitch/Boss Bitch is a one-woman show written by and starring Thea Fitz-James, and centering around a millennial woman’s experience of being a corporate worker. She has 18 people directly reporting to her and is on the executive track but lately, she’s been wondering if she might be a bit crazy. The show follows her struggles with work and the prospect of a promotion, while […]

“I was in the car the other day, listening to music and thinking about loss.” So begins Threshold Theatre’s ABD with Mark the C, a gently humorous memoir of the 60s and 70s delivered from inside a DJ booth. Written and performed by Mark Cassidy and directed by Hume Baugh, the show traces Cassidy’s journey through small-town Ontario as a child of hotel entrepreneurs.  Let’s tackle the title letter by […]

Please note this review mentions sexual abuse.  Despite getting tuned up with a modern setting, Lillian’s Thief: A Modern Orpheus can’t help but look back to classic, old-fashioned tropes.  The play was written by and stars both Sara Beck as Morana and Christian Milanovic as Corvin, with direction by Abby Wolfe and produced in association with Not So Amateur Amateurs.  Beck and Milanovic have a clear connection and rapport that […]

Lucy Darling means glamour in the true sense of the word—as in both elegant fashion and spellbinding mystique. The stage persona of Carisa Hendrix, Miss Darling is a self-described female magician and “classy bitch,” hosting a sophisticated yet scrappy 1950s Hollywood look complete with a smooth drawling accent. Darling is highly recognized for her efforts, as a 15-time Award-Winning Entertainer featured in the Guinness Book of World Records and Ripley’s […]

A tight 45 minutes of magic served with a citrus twist. Hailing from Ouro Preto, Brazil, Ewerton Martins—better known as El Diablo of the Cards—is a globetrotting magician and card-carrying clown. His last local appearance was at TK Fringe in 2019, where audiences were enraptured by his devilish charisma and skillful sleight of hand. This year, El Diablo is back to kick off Theatre Kingston’s summer programming with two performances […]

At Come Play By The Lake, short works by local playwrights take to the Domino Theatre stage and compete for a place in the Eastern Ontario Drama League (EODL)’s One Act Festival.  Ranging from 25 to 55 minutes in length and spanning multiple genres—the 2024 submissions include horror, romance, comedy, and metatheatre—the productions are evaluated by a panel of judges selected from the local arts community. This year, Donna Chambers, […]

The rain never bothered us anyway! At least not at this year’s SPAF. Skeleton Park Arts Festival (SPAF), a grassroots, multidisciplinary art festival, takes place every summer over the solstice weekend in McBurney—more commonly known as Skeleton—Park. With a humble beginning over twenty years ago as a neighbourhood solstice picnic, this free, family-oriented festival has become a beloved and highly-anticipated event in the community. This year’s celebration fell over the […]

The cardinal rules of theatre: sit still, don’t chitchat, and make sure your phone is on silent and put away. Adrienne Wong chooses to challenge these conventions, exploring our relationships with our devices through audience participation. 

The 2024 Festival of Live Digital Art (FOLDA), produced by SpiderWebShowPerformance, took place from June 13-15. In this section (catch Part One here!), I take a deep dive into SmartSmart, an interactive performance by Adrienne Wong that was staged at the Isabel Bader Centre for the Performing Arts. In my previous review of FOLDA 2024, I mentioned that the festival promotes innovation, creativity, and reflection, and SmartSmart very much embodies these values.