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A black and white photo of Tracey Guptill smiling against a plain background.

5 Q’s with Tracey Guptill

  • Artist
  • Interview

5 Q’s, 5 Femmes is a short series facilitated by writer Kemi King, interviewing five femme identifying artists; getting to know a little bit about them and their craft.  This interview is with Tracey Guptill: a movement based actor, stilt walker, and collaborator. Along with establishing anARC Theatre, and its coLABoratory method for Research-Creation, she co-created When I get There as a part of her Masters in Environmental Studies at […]

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Photo of Alyssa Vernon against a white background.

5 Q’s with Alyssa Vernon

  • Artist
  • Interview

5 Q’s, 5 Femmes is a short series facilitated by writer Kemi King, interviewing five femme identifying artists; getting to know a little bit about them and their craft.  This interview is with Alyssa Vernon. Alyssa is a Queen’s University graduate in Gender Studies, with History and English teachables. As an educator, Alyssa strives to continually advocate for marginalized students and believes in the power of art as resistance, paired […]

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Aisling Murphy in a blue shirt in front of a grey background.

5 Q’s with Aisling Murphy

  • Artist
  • Interview

5 Q’s, 5 Femmes is a short series facilitated by writer Kemi King, interviewing five femme identifying artists; getting to know a little bit about them and their craft.  This interview is with Aisling Murphy. Originally from Baltimore, Maryland, Aisling is a playwright, critic, dramaturg, and academic. Aisling is a staff reporter at the Toronto Star, the senior editor at Intermission Magazine and president of the Canadian Theatre Critics Association. […]

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A thin stream leads up to a small, wooden stage that has red curtains pulled across. There is one lawn chair on each side of the stream. A man sits in a wheelbarrow on one side of the stream smoking a pipe and playing a guitar. Trees surround the stage and one has two archery boards attached to it. At the bottom reads: ROBIN HOOD.

‘Robin Hood’ was more than just Fanciful Fun

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Lakeside Players
  • Review

I was nervous when I strolled through City Park and I saw a haphazard setup of black boxes and forest-themed shower curtains. But, the Lakeside Players production of Robin Hood charmed me from start to finish. The well-known fairytale format was both honoured and upended for a modern audience. The writing spoke to the entire crowd, appealing to even the youngest. It was somehow modern and poetic; delectable to the […]

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Jill Glatt smiling outside in a blue shirt.

5 Q’s with Jill Glatt

  • Artist
  • Interview

5 Q’s, 5 Femmes is a short series facilitated by writer Kemi King, interviewing five femme identifying artists; getting to know a little bit about them and their craft.   This interview is with Jill Glatt, a Katarokwi/Kingston-based illustrator, printmaker, arts educator, and French teacher with the Limestone District School Board. She has developed and delivered programming for the Tett Centre for Creativity and Learning, Kingston Arts Council, Centre Culturel Frontenac, […]

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A green park bench in the outdoors. The purple ring surrounds with wording 'THE DUCK VARIATIONS' and 'The Duck Variations by David Mamet' also appears above the bench. Below the bench reads: 'The Duck Variations is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com'

Two Men on a Park Bench… David Mamet’s ‘The Duck Variations’

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

Who knew that ducks, friendship, and existentialism could coincide into a single theatre performance? These elements came together in a heartfelt conversation between two men in a recent performance of The Duck Variations. bEST Theatre Company’s The Duck Variations that played at the Grand Theatre as a part of the Kingston Fringe, produced by the Kick & Push Festival, was an existential and meandering conversation between two men on a […]

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A blue poster with 'Return of the Megafauna' written in the bottom left, 'The Kick & Push Festival' written in the bottom right, and a curve of lines in the top right.

De-extinction and Puppetry: Speaking with Seymour Irons

  • Artist
  • Festival
  • Interview
  • Kick & Push Festival
  • Kingston Theatre Alliance

Return of the Megafauna created by Bad New Days is a physical theatre piece that was a part of the 2022 Kick and Push festival. The piece is contextualized through the company’s understanding of post-humanism and de-extinction, where the images of the future are utopic rather than dystopian. De-extinction is defined as the process of generating an organism that either resembles or is an extinct species.  I encountered the piece […]

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A monastery with a sign in front that reads "MONASTIC AREA DO NOT ENTER" that is bordered with a purple circle that reads "SAILING TO THE MOON"

‘Sailing to the Moon,’ Contemplating the Monastery

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

“What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves?”- Thomas Merton Presented at Theatre Kingston’s Fringe Festival, Color and Light’s Sailing to the Moon follows a young, wandering man named Tom (Thomas Cherney) who is trying to understand the value in pursuing monastic life in a forest. Injuring his foot on his journey to the monastery, […]

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In block letters reads 'KIM'S CONVENIENCE,' the 'Kim's' being red and the 'convenience' being green.

A Beloved Comedy! But let’s talk about Audience…

  • Review
  • Thousand Islands Playhouse

What do we owe our parents? And what do theatres owe their audiences?  Kim’s Convenience by Ins Choi is a play loved by many in the greater Toronto area, and after the success of the TV adaptation on CBC, it has gained national attention. The story is an endearing family comedy following a day in the life of Mr. Kim: a convenience store owner who immigrated from Korea to start […]

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A logo titled ' The Murderous Mansion of Mr. Uno' with a dark, creepy mansion that has two lightning bolts striking it.

‘The Murderous Mansion of Mr. Uno’: A Slick and Stylish Escapade

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

Lovers of Clue, and Murder by Death will be sad to know that they missed out on  Kingston Fringe’s The Murderous Mansion of Mr. Uno presented by The Not So Amateur Amateurs. The story is one you’re likely familiar with. Think Agatha Christie or “closed circle” stories like And Then There Were None. But what makes it exceptional, is the ensemble of young artists that made it happen!  The play […]

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Drawings and paintings with text explanations on a white board at Jesse H. Wabegijig's installation of Pictures at an Exhibition displayed at the Tett Centre.

Making a Fairy Tale with Jesse H. Wabegijig

  • Artist
  • Indigenous Theatre
  • Interview
  • Kick & Push Festival
  • Kingston Theatre Alliance

Jesse H. Wabegijig is one of the artists for the 2022 Kick & Push Indigenous residency.  They spent the residency working on their new play, where Jesse was able to put together an installation that went up in the Tett Centre for creativity and learning. On the opening night of the installation I got the chance to speak to them about the time in the residency, and to hear a […]

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Studio 013’s ‘R.E.D.’ ⁠— Proof That “Easy” Doesn’t Mean “Good”

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

A one woman, one robot, one act show set on a space station, R.E.D. is the frugal producer’s dream show. But the cracks start to show almost immediately.

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