Kingston Theatre Alliance

Ways of Being was an interactive performance for two different groups of audience, in two different cities simultaneously. Returning to Kingston as a part of FOLDA 2022, the work transformed me into both the performer and audience, spectator and entertainer. And as someone interested in the human condition, Ways of Being gave me the space to explore and understand, “How do we become the people we are at any given moment? […]

We’re All in Jeopardy is PeerLess Productions most adventurous show yet. The unique mixed-abilities theatre company returns with this multimedia comedy that was birthed from collective creation. An inter-disciplinary performance, a fictional group of local celebrities compete on a rigged game show to support make believe Kingston restaurants that have been impacted by the pandemic. The surreal spoof, directed by Kathryn MacKay with music by David Archibald, features more than […]

Told through the literal lens of digital technology such as phones and computers, the internet and social media play a critical role in communication and evidence.

The performance of You Should Have Stayed Home, directed by Michael Wheeler, was a component of the Festival of Live Digital Art (FoLDA) and as a work it explores the tensions and political possibilities inherent in virtual reality.

I was once told that a contract is meant to be a conversation, and hopefully, a dialogue. Yet it is rarely treated as such.  In reality, a contract often brings up feelings of fear. Perhaps these anxieties regarding contracts come from a worry that one may misunderstand the legal jargon, or maybe it comes from an understanding of a history of manipulation and deception. Contracts as we know it, and […]

The Maydee Box, created by Murdoc Schon and Rebecca Cuddy, was presented at this year’s Festival of Live and Digital Art in the Isabel Bader Center’s Art and Media lab. The work is an audio, visual, and tactile piece in the real world, but amplified by augmented reality. Advancing the physical world through a smart device, Schon and Cuddy have used this technology to present the actual performance of the […]

There is a conventional expectation of what a Western opera performer and performance should look like. With expensive sets and costumes and elaborate orchestrations, it is an artform who’s high-brow reputation is the only part I’m familiar with. But Musique 3 Femmes’ presentation of SOLO at this year’s Watershed Festival, the “tour-de-force double bill for solo voice” actively subverted the Eurocentric tradition inherent to opera allowing the songs and stories […]

I remember being 13. I remember thinking every mistake was the end of the world, or that my happiness was dependent on what people thought of me at face-value. I now wince at my behaviour then, but truth be told, I still fall into that trap. Blue Canoe Theatrical Productions presents their annual Juvenis Festival where 13 (Jason Robert Brown, Dan Eilish, Robert Horn) ran from April 28th to April […]

Project Description: SWIRLS: a series of workshops held around Kingston as a collaborative setting for meaningful engagement to improve artists’ digital literacy and enhance their capabilities in using AR/VR as an art form. In-person and virtual workshops will bring together a wide array of artists working within different artistic disciplines. The workshops will be experiments in providing learning opportunities while creating a context that makes for creative sparks to happen. […]

The Performance Blog is a primary resource for audience members, artistic collaboration, critical dialogue, and industry contacts. Our platform consolidates events, news, artists, and organizations in the Southeastern area in an accessible and accountable manner that the region has never seen before. Led by the Editor, the writing team is looking for passionate individuals who are committed to questioning who and what criticism is FOR. Job Description The Associate Theatre […]

The Dan Studio Series Theseus was an interesting series of shows to say the least, ranging from existential crises to Western moral stories.

At the top of the show, the audience was asked to participate in a quick census by clapping to indicate which generation we belonged to. First, the “Baby Boomers” were called—raucous clapping filled the traditional theatre space as almost everyone around us slapped their hands together.

I was surrounded.