Review Archive

‘In Eulogy’- Francisco Corbett at the Skeleton Park Arts Festival

  • Artist
  • Review
  • Skeleton Park Arts Festival

Drawing inspiration from artists such as Jean-Michel Basquiat and situations of action painting, Corbett’s gestural method was engaging to watch and experience as an audience member. By loosening the boundaries that often exist between mediums in art, the performance invited the audience to think of the crossovers that can happen when mediums collide.

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Selfie is Clumsily, Painfully, and Firmly Real

  • Festival
  • FOLDA
  • Review
  • Spiderwebshow

Told through the literal lens of digital technology such as phones and computers, the internet and social media play a critical role in communication and evidence.

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Political Agency in the Digital Realm: the Case of VR

  • Festival
  • FOLDA
  • Review
  • Spiderwebshow

The performance of You Should Have Stayed Home, directed by Michael Wheeler, was a component of the Festival of Live Digital Art (FoLDA) and as a work it explores the tensions and political possibilities inherent in virtual reality.

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Practices in care with The Maydee Box

  • Festival
  • FOLDA
  • Review
  • Spiderwebshow

The Maydee Box, created by Murdoc Schon and Rebecca Cuddy, was presented at this year’s Festival of Live and Digital Art in the Isabel Bader Center’s Art and Media lab. The work is an audio, visual, and tactile piece in the real world, but amplified by augmented reality. Advancing the physical world through a smart device, Schon and Cuddy have used this technology to present the actual performance of the […]

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SOLO: The Modern Opera The World Needs

  • Festival
  • Queen's University
  • Review
  • Watershed Festival

There is a conventional expectation of what a Western opera performer and performance should look like. With expensive sets and costumes and elaborate orchestrations, it is an artform who’s high-brow reputation is the only part I’m familiar with. But Musique 3 Femmes’ presentation of SOLO at this year’s Watershed Festival, the “tour-de-force double bill for solo voice” actively subverted the Eurocentric tradition inherent to opera allowing the songs and stories […]

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Juvenis’ 13 is Endearing, Heartfelt, and Talented

  • Blue Canoe Productions
  • Juvenis Festival
  • Review

I remember being 13. I remember thinking every mistake was the end of the world, or that my happiness was dependent on what people thought of me at face-value. I now wince at my behaviour then, but truth be told, I still fall into that trap. Blue Canoe Theatrical Productions presents their annual Juvenis Festival where 13 (Jason Robert Brown, Dan Eilish, Robert Horn) ran from April 28th to April […]

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What Future Theatre Makers Have to Offer

  • DAN Studio Series
  • Queen's University
  • Review

The Dan Studio Series Theseus was an interesting series of shows to say the least, ranging from existential crises to Western moral stories.

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It All Started (& Ended) With a BOOM

  • Review

At the top of the show, the audience was asked to participate in a quick census by clapping to indicate which generation we belonged to. First, the “Baby Boomers” were called—raucous clapping filled the traditional theatre space as almost everyone around us slapped their hands together.

I was surrounded.

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Mercy for Whom?

  • Review
  • Theatre Kingston

Cindy Ci and Jeff McGilton are speaking on a video call to discuss the production of ‘Mercy’ they had watched two nights prior.

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Last, last, last Friday was a DRAG

  • Review

Accompanied by local favourites Rowena Whey, Tyffanie Morgan, Lilith Cain, Mimi Osa, and Rane St. Cloud, Rowena Whey presents: Icesis Couture marks the headliner’s return to Kingston as Canada’s next Drag superstar. But take everything you learned from Drag Race and throw it out the window. The hit reality competition television show is an incredibly popular point of contact for Drag culture at large, but don’t expect the drama, spectacle, and competition you see onscreen onstage.

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Black History Movement and the Importance of Framing

  • News
  • Review

While some pieces of theatre find their footing in fiction, others find meaning and shape in the staging of true events. In the last stretch of this past Black History Month, an example of the latter came in the telling of an essential piece of American and Canadian Black history. JOSIAH, co-created by director Charles Robertson and sole performer Cassel Miles, was a multi-disciplinary dip into the life of Josiah […]

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Sweetheart: From a Student, Spectator, and (Former) Stage Manager

  • Queen's University
  • Review

I’ll admit, various lines of conflict come into play as I type these words. Not only was I the rehearsal stage manager, but I am a student who is currently attempting to pass public judgement on a show that her professors developed. In juggling how to approach this post, one thing is certain: everything I am going to say has been guided by the knowledge that my professors have passed […]

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