Theatre Kingston — Kingston Theatre Alliance

Terra (Jarena Lee) has fallen on hard times. Her case worker, Liz (Sierra Zawacki), is asking her to leave her current home at a women’s abuse shelter to make room for new tenants. Meanwhile, her abusive ex (Jonathan Campbell) has just been released from prison, she is meeting with a problematic potential landlord (Matthew Davis), and she is single-handedly raising her five children—Mya (Yashia Allen), James (Iffy Maduabuchi), Anaella (Reese […]

Nicole is overworked, underpaid, and at her wits end when she has to meet with two parents of students in her grade three class. Enter John, a worried upper middle class father recently separated from his wife and is concerned about his son’s grades, and Rosie, a mother working multiple jobs to support her husband who struggles with drug addiction and her daughter. Chaos quickly unfolds as the parents panic […]

After having her car towed for the fifth time, Annie (Susan Del Mei) decides not only to get her car back, but to personally change the system and avoid future incidents. Caught in Annie’s crusade is gauche tow truck driver, David (Reece Presley), who is just doing his job, which he describes as fulfilling “…penalties for citizen misconduct.” Theatre Kingston presents Jim Garrard’s Big Ticket in the Baby Grand as […]

Rather than tumbling into a fantastical wonderland, this Alice fights against reality as she struggles with the unexpected loss of her husband, Ever. Aside from the shared name, Alice & the World We Live In has no relation to Lewis Carroll’s famous character. Written by Alexandria Haber and directed by Rosemary Doyle, this powerful two-person show stars Helen Bretzke as Alice and Sean Roberts as Ever. He appears to Alice […]

The classic saying is, “The show must go on!” Well, so must the review… sort of.  With our small team at the KTA, unfortunately when one of us is struck with sickness, there’s a bit of reworking to be done. This was the case last week, just as we were about to review Theatre Kingston’s production of Boy Beatle. However, we luckily managed to work out a short interview through […]

Hysterical Historical Improv delivers on its promise of making history hysterical. From local group Improv Kingston, local history comes to life in a way you haven’t seen before. Dan Walmsley directs, writes, and performs, with the help of additional performers Jon Britton and Henry Korba-Babcock (as well as occasional promised special guests, although none appeared in the performance I attended).  The premise of this “historical improv” is that Walmsley has […]

A stage set with only a wooden cross draped in lingerie, Christian Slut puts the sexual content right back into a Christian upbringing. The show is a one-person “confessional” (not the Catholic kind), written and performed by Erik Karklins, about their experiences as a self-identified slut while also being a devout Christian. They tease (literally) out the nuances between these two seemingly conflicted identities, critiquing restrictive religious doctrine. Despite its […]

Taking the “sketch” in sketch comedy perhaps a little too literally, A Sketchy Kind of Show is a performance by Collected Novellas, who are self-described as focusing on “subversion, quirkiness and social commentary.” Unfortunately, I found the show itself a little lukewarm on all three counts.  The performance held potential with its interesting start—it begins with a framing device of God flipping through Netflix on the seventh day of rest […]

Listen to the wind whisper the story of The Cape as Red as Blood—a loose retelling of the Little Red Riding Hood folktale as a folk musical. Written by Kathleen Greening, this is a contemporary version of the story with a powerfully feminine vibe—soft and caring, but not weak by any means, and not to be underestimated. The five storytellers—Nightingale (Syd Chinnick), Crow (Meg Gibson), Phoenix (Hailey Hatfield), Bluebird (Elsa […]

With 23 characters, including two animals, Circus Gothic is a unique one-woman show. Jan Kudelka plays all the roles in a truly incredible performance, as might be expected given that she’s had fifty years (yes, fifty) of performing this particular show in order to perfect it. This fact alone makes it worth seeing and informs a really powerful performance.  The story is a memoir of Kudelka’s experience joining the circus […]

A self-identified bitch and a boss—Crazy Bitch/Boss Bitch is a one-woman show written by and starring Thea Fitz-James, and centering around a millennial woman’s experience of being a corporate worker. She has 18 people directly reporting to her and is on the executive track but lately, she’s been wondering if she might be a bit crazy. The show follows her struggles with work and the prospect of a promotion, while […]

“I was in the car the other day, listening to music and thinking about loss.” So begins Threshold Theatre’s ABD with Mark the C, a gently humorous memoir of the 60s and 70s delivered from inside a DJ booth. Written and performed by Mark Cassidy and directed by Hume Baugh, the show traces Cassidy’s journey through small-town Ontario as a child of hotel entrepreneurs.  Let’s tackle the title letter by […]