Review — Kingston Theatre Alliance

In a moment where Zoom meetings, doom-scrolling, and our digital worlds seem repetitive as ever, Single Thread Theatre Company’s production of Collider presents a profoundly innovative way to bring digital theatre to Canadian audiences.

Digital Debris Fest 2, a digital showcase of their year’s work. The digital event featured 15 different artistic iterations that seamlessly incorporated music, digital media, videography, calligraphy, revealing the true interdisciplinary talents of the students. 

Turn on any device, log onto any platform, and you will immediately feel how saturated digital content has become. It’s near impossible to escape the overwhelming monotony of endless scrolling, nostalgia culture, and algorithms predicting your tastes before you even develop them.

On March 3rd, the Dan Studio Series produced its winter installment, DSS: Jigsaw. There were clear aspects that DSS was able to innovate and progress upon based on the ubiquitous learning curve that creatives faced while adapting to a virtual environment last semester. 

towards cultures outside our own. Live-streamed from Toronto’s Theatre Passe Muraille, the production was digitally co-presented by the Grand Onstage.  Resembling more of a cabaret than a theatrical play, the performance shifts between musical numbers and anecdotes from the two performers.

What do famed Canadian comedians Lorne Greene, Robertson Davies and eleven current Queen’s students all have in common? Queen’s Players!   The oldest club at Queen’s University, dating back to 1900, Players describe themselves as “a cross between Saturday Night Live, a rock concert, and a kegger.”  In a non-COVID world, Players would consist of crowded performances at The Mansion full of flowing pitchers and Players singing along to pop hits […]

semester showcase illustrating what exactly the students are interested and capable of creating. The works we witness have been made by artists who are unseen outside of their work.

r escapism, which frankly, seems like a necessity in 2020. However, I have yet to experience a production that feels as escapist as Blue Canoe’s Voulez-Zoom. Running just over an hour, this feel-good, dance party-esque show lured me into the fun and joy that is Mamma Mia. 

of A Very Merry Mystery, audiences are given the unique opportunity to play the role of detective in this part-theatre, part-whodunit performance.

On November 13th, I had the unique privilege of virtually attending a digital live-stream of The Chemical Valley Project, a production featuring a unique mix of projection design, object puppetry and solo-performance. This show first premiered in 2017 at the Art in Solidarity: Performance in Protest in Toronto, Ontario. Since its original premiere, the show has toured across Ontario, BC, and even in Germany in 2018. The production was performed […]

DSS, a long-running staple of the Queen’s University theatre scene, is a collection of short plays entirely written, directed and performed by Queen’s Students. I had an inkling that the theatre group that was already known for their innovative and boundary-pushing theatre in a pre-COVID world would be able to adapt to these unimaginable circumstances in inventive ways. Not only did they achieve this, but they were able to exceed all expectations.

rom November 1st to November 7th, I had the privilege of attending the Shortwave Theatre Festival, a festival of radio dramas presented by CFRC. While the festival featured six different radio plays, I had the opportunity to listen to and review three.