Kingston Theatre Alliance

The Watershed Festival continues to explore how and who exactly are the artists examining and developing music theatre as we know it. The New Works Showcase featured a series of upcoming projects at various stages of development from artists across the country, followed by a live Q & A with the creators. 

In a time of creative and collective upheaval, the inaugural Watershed Festival examines the integration of music, drama, dance, and design as musical theatre or opera, exploring those boundaries in order to revitalize the ways those artforms are practiced and understood.

In a moment where Zoom meetings, doom-scrolling, and our digital worlds seem repetitive as ever, Single Thread Theatre Company’s production of Collider presents a profoundly innovative way to bring digital theatre to Canadian audiences.

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Digital Debris Fest 2, a digital showcase of their year’s work. The digital event featured 15 different artistic iterations that seamlessly incorporated music, digital media, videography, calligraphy, revealing the true interdisciplinary talents of the students. 

Turn on any device, log onto any platform, and you will immediately feel how saturated digital content has become. It’s near impossible to escape the overwhelming monotony of endless scrolling, nostalgia culture, and algorithms predicting your tastes before you even develop them.

If you’ve ever awkwardly stood by one of your friends as they catch up with someone you don’t know, you should keep reading. And if you don’t know Paul Smith, you definitely know someone who does.

When we imagine opera, we think of majestic, luxurious theatres revolving around an artistic tradition that has spanned since the 16th Century. Rarely would we imagine opera to present itself as five-minute iterations presented digitally.  Yet, on March 16th, the Musical Theatre Ensemble at Queen’s University, a course facilitated through the Dan School of Drama and Music, digitally presented Aitch Arr, a mini-opera created by Afarin Mansouri and Donna-Michelle St. […]

For arts professionals in Kingston, a silver lining might be slowly beginning to appear. On January 28, 2021, Kingston Mayor Bryan Paterson passed a motion that allocated an additional $200,000 towards artists and arts non-profits in Kingston, directly related to the impact that COVID-19 has brought forth on Kingston’s arts sector.

On March 3rd, the Dan Studio Series produced its winter installment, DSS: Jigsaw. There were clear aspects that DSS was able to innovate and progress upon based on the ubiquitous learning curve that creatives faced while adapting to a virtual environment last semester. 

towards cultures outside our own. Live-streamed from Toronto’s Theatre Passe Muraille, the production was digitally co-presented by the Grand Onstage.  Resembling more of a cabaret than a theatrical play, the performance shifts between musical numbers and anecdotes from the two performers.

When Ontario went into a full lockdown in late December, the prospect of theatre, even digital, seemed far-fetched. Yet, in the midst of uncertainty and anxiety from the lockdown, something beautiful happened for Kingston’s small, but mighty theatre community.