Festival — Kingston Theatre Alliance

Leslie Arden is a renowned Canadian composer, lyricist, and librettist. In 2019, she was commissioned to write a new musical, The Lancashire Lass, for the DAN School of Drama and Music at Queen’s University. First shown in an online preview in 2021, and then in concert in 2022, The Lancashire Lass is having its fully staged debut at this year’s Watershed Festival on May 26th and 27th at the Kingston […]

Let’s talk audio plays. There’s an obvious challenge here: Keep an audience engaged through only sound. Under-do it: you’ve lost their attention. Over-do it: tumultuous confusion. Finding that happy medium is really where a show sells itself. Now, one begs the question, does Shannon Kingston’s Garden of Edith find that sweet spot? …Yes. With beautiful precision. Presented by First Ditch Collective, the premiere of Garden of Edith begins with a […]

I was nervous when I strolled through City Park and I saw a haphazard setup of black boxes and forest-themed shower curtains. But, the Lakeside Players production of Robin Hood charmed me from start to finish. The well-known fairytale format was both honoured and upended for a modern audience. The writing spoke to the entire crowd, appealing to even the youngest. It was somehow modern and poetic; delectable to the […]

Who knew that ducks, friendship, and existentialism could coincide into a single theatre performance? These elements came together in a heartfelt conversation between two men in a recent performance of The Duck Variations. bEST Theatre Company’s The Duck Variations that played at the Grand Theatre as a part of the Kingston Fringe, produced by the Kick & Push Festival, was an existential and meandering conversation between two men on a […]

Return of the Megafauna created by Bad New Days is a physical theatre piece that was a part of the 2022 Kick and Push festival. The piece is contextualized through the company’s understanding of post-humanism and de-extinction, where the images of the future are utopic rather than dystopian. De-extinction is defined as the process of generating an organism that either resembles or is an extinct species.  I encountered the piece […]

“What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves?”- Thomas Merton Presented at Theatre Kingston’s Fringe Festival, Color and Light’s Sailing to the Moon follows a young, wandering man named Tom (Thomas Cherney) who is trying to understand the value in pursuing monastic life in a forest. Injuring his foot on his journey to the monastery, […]

Lovers of Clue, and Murder by Death will be sad to know that they missed out on  Kingston Fringe’s The Murderous Mansion of Mr. Uno presented by The Not So Amateur Amateurs. The story is one you’re likely familiar with. Think Agatha Christie or “closed circle” stories like And Then There Were None. But what makes it exceptional, is the ensemble of young artists that made it happen!  The play […]

A one woman, one robot, one act show set on a space station, R.E.D. is the frugal producer’s dream show. But the cracks start to show almost immediately.

Shrimp cocktail.
Top 40 hits of the 1990’s.
The shady dealings of the 1%.
An unhinged rendition of I am The Greatest Star.

All of these elements and more can be found in Gone, presented by Toronto-based writer and performer Amber Mackereth. A romp in the anxieties of the global citizen, this work is unlike anything else playing at the Kingston Fringe.

Never Swim Alone is a Canadian classic that just needs a little more reinvention than what the script calls for. My understanding of the work is that it’s meant to be a critique of the ways in which men have been socialized, yet the play as it stands does not offer anything more than making toxic masculinity known.

Too Much Information Improvised was a part of the 2022 Kingston Fringe, produced by the Kick & Push Festival. It is performed by two real life exes, Paddy MacDonald and Steph Haller. The allure of the work is the fact that they used to be in a romantic relationship with one another, so the expectation is that maybe there is fighting, and lots of tension. It was a lovely surprise that there was not, like none at all, unless the performance called for it.

While the show is clearly intended for a younger audience, there is an undeniable charm in Anne Marie Mortensen’s writing and the performances from the teenage actors.