Kingston Theatre Alliance

WARNING: This review contains spoilers. At the end of the day, I get it. Times have been tough, and when the going gets tough and revenue must be guaranteed, safe choices need to be made.  Thousand Islands Playhouse marks its return with award-winning Vancouver playwright Michele Riml’s Sexy Laundry. The play follows the tale of a tepid night shared by a middle-aged couple that aim to fuck themselves out of […]

PAPILLON uses the unexpected to create new meaning and keep things feeling fresh. In a world filled with unpredictability, it can feel like at times the only constant is change itself. Exploring this concept onstage can lead to different forms of improvisation, which tests performers and adds to the live-ness of a performance. For PAPILLON, a high-powered, experimental movement piece that was presented at the Storefront Fringe Festival and supported […]

Working with little more than a shoestring and their lines in City Park, a collective of Kingston’s theatre community have brought their project to fruition after months of meeting, reading, and planning together in the virtual world forced upon us by the pandemic.

Delivering commendable storytelling and attention to detail, Through the Fairy Circle offers something for all ages. While the grassy stretch we have come to know as Wolfe Island offers the people of Kingston a beautiful daytrip, a sandy beach and one heck of a bakery, one performance at the Storefront Fringe Festival sees it also serving as theatrical inspiration.

Charismatic and captivating to a fault, Mark Cassidy and Hume Baugh provide an escapist nostalgia trip accompanied and magnified by a veritable smorgasbord of 70s hits. Allistonian Brockvillian Dionysian sports a jigsaw puzzle of a story that isn’t so much a cohesive narrative, but rather a man flicking through periods of his childhood as he quite literally takes a trip down memory lane to the motel that shaped him into the person he is today. Allistonian Brockvillian Dionysian is Presented by Threshold Theatre and Theatre Kingston Storefront Fringe Festival, supported in part by the Kick and Push Festival. This love letter to the playgrounds of wonder that were the local hotel and motel serves as the bittersweet farewell to a childhood that lives on in memory. 

n’s Storefront Fringe, supported in part by the Kick & Push Festival, with their misguided attempt at existential absurdity created and directed by Tyler Mathews. Although Cranz and Bernardo goes places, and with fervour, it does so in no specific direction.

Jim Garrard and SALONTheatre deliver a textbook performance of Krapp’s Last Tape worthy of Beckett’s legacy. Needless to say, Jim Garrard had notable names to compete with in his portrayal of Krapp, and yet, he more than held his own in the scope of the play’s notoriety.

As the play finds its narrative structure in Maria’s three-card reading, I find it suitable, being a Tarot reader myself, to provide a three-card response.

Blue Canoe Productions presents their newest work Sharing Stories: The Miraculous Journey of Edward Tulane. While there continues to be phenomenal creativity in digital performance, with this production, there is nothing quite like watching actors work together to tell a story in a shared space.

Created and performed by Beau Dixon, Beneath Springhill: The Maurice Ruddick Story follows the story of Maurice Ruddick (or “the singing miner”), an African-Canadian who survived the 1958 mining disaster when an underground earthquake hit Springhill, Nova Scotia. Originally premiering at the Thousand Islands Playhouse, this multi-award-winning play (directed by Linda Kash) now marks the return of the Festival Players’ Six Feet Festival at the Eddie Hotel & Farm’s BMO Pavilion.

The Harrowing of Brimstone McReedy is Eldritch Theatre’s modern take on Marlowe’s own Doctor Faustus while being infinitely more engaging and entertaining for the modern audience. Partnered with Kick & Push, Theatre Kingston’s Storefront Fringe is certainly kicking off the festival with a strong show.

Fn (dir. Alex Bulmer and Tristan Whiston) reflects on how Ting comes to terms with her and her mother’s respective urgency to be understood on their own terms, in conversation with the lives and works of composers John Cage and Beethoven.