Theatre Kingston Archive

A monastery with a sign in front that reads "MONASTIC AREA DO NOT ENTER" that is bordered with a purple circle that reads "SAILING TO THE MOON"

‘Sailing to the Moon,’ Contemplating the Monastery

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

“What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves?”- Thomas Merton Presented at Theatre Kingston’s Fringe Festival, Color and Light’s Sailing to the Moon follows a young, wandering man named Tom (Thomas Cherney) who is trying to understand the value in pursuing monastic life in a forest. Injuring his foot on his journey to the monastery, […]

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A logo titled ' The Murderous Mansion of Mr. Uno' with a dark, creepy mansion that has two lightning bolts striking it.

‘The Murderous Mansion of Mr. Uno’: A Slick and Stylish Escapade

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

Lovers of Clue, and Murder by Death will be sad to know that they missed out on  Kingston Fringe’s The Murderous Mansion of Mr. Uno presented by The Not So Amateur Amateurs. The story is one you’re likely familiar with. Think Agatha Christie or “closed circle” stories like And Then There Were None. But what makes it exceptional, is the ensemble of young artists that made it happen!  The play […]

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Studio 013’s ‘R.E.D.’ ⁠— Proof That “Easy” Doesn’t Mean “Good”

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

A one woman, one robot, one act show set on a space station, R.E.D. is the frugal producer’s dream show. But the cracks start to show almost immediately.

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I Wish ‘Gone’ Would Never Go

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

Shrimp cocktail.
Top 40 hits of the 1990’s.
The shady dealings of the 1%.
An unhinged rendition of I am The Greatest Star.

All of these elements and more can be found in Gone, presented by Toronto-based writer and performer Amber Mackereth. A romp in the anxieties of the global citizen, this work is unlike anything else playing at the Kingston Fringe.

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Never Swim Alone, or when male egotism catches up with itself

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

Never Swim Alone is a Canadian classic that just needs a little more reinvention than what the script calls for. My understanding of the work is that it’s meant to be a critique of the ways in which men have been socialized, yet the play as it stands does not offer anything more than making toxic masculinity known.

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Everybody gets one…chance at proving they’re good at improv.

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

Too Much Information Improvised was a part of the 2022 Kingston Fringe, produced by the Kick & Push Festival. It is performed by two real life exes, Paddy MacDonald and Steph Haller. The allure of the work is the fact that they used to be in a romantic relationship with one another, so the expectation is that maybe there is fighting, and lots of tension. It was a lovely surprise that there was not, like none at all, unless the performance called for it.

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From Young Artists to Young Audiences—Once Upon a Time: A Play with Music

  • Bottle Tree Productions
  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Theatre Kingston
  • TK Fringe

While the show is clearly intended for a younger audience, there is an undeniable charm in Anne Marie Mortensen’s writing and the performances from the teenage actors. 

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Mercy for Whom?

  • Review
  • Theatre Kingston

Cindy Ci and Jeff McGilton are speaking on a video call to discuss the production of ‘Mercy’ they had watched two nights prior.

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From Soul to Stage

  • Review
  • Theatre Kingston

The most cohesive piece of theatre I have seen in Kingston. Content Warning: The Sylvia Effect carefully explores several mental health struggles such as depression, anxiety, trauma, and suicide. It holds little back and asks for us, as a community, to begin examining how we respond to these problems. In light of this, the following review will explore some of the listed elements above. Written and directed by Peter Hinton-Davis, […]

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A Provoking Look at the Soul of Kingston

  • Review
  • Theatre Kingston

I’ve come to realize that while I have spent several summers and the last year here, I am clearly not (yet) a Kingstonian.  Why do I say this? Over the course of (length of show), I walked into an oral history of  old locations in the downtown core, superstitions of the citizens regarding ghosts, and odd decoration choices like the carpets at The Toucan, and realized how unaware I was […]

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A Personal Guide to ChroFATica

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Storefront Fringe Festival
  • Theatre Kingston

Let’s be real, life has been stressful because of a certain pandemic and we are all in desperate need of fun. For me, that fun was manifested into ChroFATica, a lyrical parody of Lady Gaga’s Chromatica. Featuring topics like NBC’s Superstore and actor John Candy, which I swear makes sense in context, I was treated to a wonderful production produced by and starring the hilarious Hillary Yass – a drag performer from the House of Lix in Toronto. Truly, […]

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Float like a butterfly, sting with unpredictability

  • Festival
  • Kick & Push Festival
  • Kingston Theatre Alliance
  • Review
  • Storefront Fringe Festival
  • Theatre Kingston

PAPILLON uses the unexpected to create new meaning and keep things feeling fresh. In a world filled with unpredictability, it can feel like at times the only constant is change itself. Exploring this concept onstage can lead to different forms of improvisation, which tests performers and adds to the live-ness of a performance. For PAPILLON, a high-powered, experimental movement piece that was presented at the Storefront Fringe Festival and supported […]

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