News & Reviews Archive
‘Sailing to the Moon,’ Contemplating the Monastery
- Festival
- Kick & Push Festival
- Kingston Theatre Alliance
- Review
- Theatre Kingston
- TK Fringe
“What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves?”- Thomas Merton Presented at Theatre Kingston’s Fringe Festival, Color and Light’s Sailing to the Moon follows a young, wandering man named Tom (Thomas Cherney) who is trying to understand the value in pursuing monastic life in a forest. Injuring his foot on his journey to the monastery, […]
A Beloved Comedy! But let’s talk about Audience…
- Review
- Thousand Islands Playhouse
What do we owe our parents? And what do theatres owe their audiences? Kim’s Convenience by Ins Choi is a play loved by many in the greater Toronto area, and after the success of the TV adaptation on CBC, it has gained national attention. The story is an endearing family comedy following a day in the life of Mr. Kim: a convenience store owner who immigrated from Korea to start […]
‘The Murderous Mansion of Mr. Uno’: A Slick and Stylish Escapade
- Festival
- Kick & Push Festival
- Kingston Theatre Alliance
- Review
- Theatre Kingston
- TK Fringe
Lovers of Clue, and Murder by Death will be sad to know that they missed out on Kingston Fringe’s The Murderous Mansion of Mr. Uno presented by The Not So Amateur Amateurs. The story is one you’re likely familiar with. Think Agatha Christie or “closed circle” stories like And Then There Were None. But what makes it exceptional, is the ensemble of young artists that made it happen! The play […]
Studio 013’s ‘R.E.D.’ — Proof That “Easy” Doesn’t Mean “Good”
- Festival
- Kick & Push Festival
- Kingston Theatre Alliance
- Review
- Theatre Kingston
- TK Fringe
A one woman, one robot, one act show set on a space station, R.E.D. is the frugal producer’s dream show. But the cracks start to show almost immediately.
I Wish ‘Gone’ Would Never Go
- Festival
- Kick & Push Festival
- Kingston Theatre Alliance
- Review
- Theatre Kingston
- TK Fringe
Shrimp cocktail.
Top 40 hits of the 1990’s.
The shady dealings of the 1%.
An unhinged rendition of I am The Greatest Star.
All of these elements and more can be found in Gone, presented by Toronto-based writer and performer Amber Mackereth. A romp in the anxieties of the global citizen, this work is unlike anything else playing at the Kingston Fringe.
Never Swim Alone, or when male egotism catches up with itself
- Festival
- Kick & Push Festival
- Kingston Theatre Alliance
- Review
- Theatre Kingston
- TK Fringe
Never Swim Alone is a Canadian classic that just needs a little more reinvention than what the script calls for. My understanding of the work is that it’s meant to be a critique of the ways in which men have been socialized, yet the play as it stands does not offer anything more than making toxic masculinity known.
Who/What/When/Where defines you? — Anthropic Traces
- Indigenous Theatre
- Review
The word anthropic is defined as informing or concerning the existence of human life, or simply, caused by human beings—anthropogenic. To me, Anthropic Traces is about the water, in which it concerns: movement, borders, and gatekeeping. Through war, displacement, and governing bodies, many of the characters experience displacement. The piece has so many different stories for all walks of life to relate to. Though it was not for me to speak back to, I still wanted to speak about the work with friends.
Everybody gets one…chance at proving they’re good at improv.
- Festival
- Kick & Push Festival
- Kingston Theatre Alliance
- Review
- Theatre Kingston
- TK Fringe
Too Much Information Improvised was a part of the 2022 Kingston Fringe, produced by the Kick & Push Festival. It is performed by two real life exes, Paddy MacDonald and Steph Haller. The allure of the work is the fact that they used to be in a romantic relationship with one another, so the expectation is that maybe there is fighting, and lots of tension. It was a lovely surprise that there was not, like none at all, unless the performance called for it.
From Young Artists to Young Audiences—Once Upon a Time: A Play with Music
- Bottle Tree Productions
- Festival
- Kick & Push Festival
- Kingston Theatre Alliance
- Review
- Theatre Kingston
- TK Fringe
While the show is clearly intended for a younger audience, there is an undeniable charm in Anne Marie Mortensen’s writing and the performances from the teenage actors.
The Music Man Delivers Exactly What You’re Expecting
- Review
- Thousand Islands Playhouse
There is no more nuance in this production, no deeper message, nothing else of note. If you are looking to see ‘The Music Man’ as it was staged originally in 1957, you’re in luck. There weren’t really any risks taken or boundaries pushed, and sometimes that’s what audiences are looking for, fine! But I would’ve been happy to see this talented creative team take on something that has the potential to be more relevant.
‘Brown Butter’ Heals from the Inside Out
- Review
Something is brewing at Agnes Etherington’s former home. Correction: something is rising, proofing, marinating, braising, and burning at the Agnes.
Drag, Drinks, and Dare (de LaFemme)
- Artist
- Review
If you’re like me, you’ve never been to a variety show, but what I’ve learned is that they’re really just talent shows for grownups. But unlike the ones from grade school, these acts are polished, professional, and perhaps… a little promiscuous. I was able to catch drag artist Dare de LaFemme’s third and most recent show in Gananoque at the Royal Theatre Thousand Islands on July 2nd. The evening was […]