Queen’s University — Kingston Theatre Alliance

An immersive student production transforms the Isabel Bader Centre’s studio theatre into a site of divine reckoning. Branden Jacob-Jenkins’ Everybody is a contemporary adaptation of the 15th-century morality play Everyman. A popular genre in medieval and early Tudor theatre, morality plays typically feature personifications of abstract concepts alongside angels, demons, and an ordinary human protagonist. In Everyman, one man—representing all of humanity—goes on an allegorical journey through the afterlife, addressing […]

I’ll admit, various lines of conflict come into play as I type these words. Not only was I the rehearsal stage manager, but I am a student who is currently attempting to pass public judgement on a show that her professors developed. In juggling how to approach this post, one thing is certain: everything I am going to say has been guided by the knowledge that my professors have passed […]

Prior to logging onto Zoom to watch a live performance of DAN Studio Series: Odyssey, I considered how the DAN School of Drama and Music student festival played a part in my undergraduate experience. In addition to developing friends and connections throughout my years at Queen’s University, these experiences saw the honing of skills in acting, writing, and collaborating. Created and produced entirely by undergraduate students, the DAN Studio Series […]

like a surprising combination to some. On May 27, the Watershed Festival presented award-winning composer and DAN School of Drama and Music’s artist-in-residence Leslie Arden’s latest commission The Lancashire Lass, a full-length musical that will receive its premiere at next year’s festival. 

The Watershed Festival continues to explore how and who exactly are the artists examining and developing music theatre as we know it. The New Works Showcase featured a series of upcoming projects at various stages of development from artists across the country, followed by a live Q & A with the creators. 

In a time of creative and collective upheaval, the inaugural Watershed Festival examines the integration of music, drama, dance, and design as musical theatre or opera, exploring those boundaries in order to revitalize the ways those artforms are practiced and understood.

When we imagine opera, we think of majestic, luxurious theatres revolving around an artistic tradition that has spanned since the 16th Century. Rarely would we imagine opera to present itself as five-minute iterations presented digitally.  Yet, on March 16th, the Musical Theatre Ensemble at Queen’s University, a course facilitated through the Dan School of Drama and Music, digitally presented Aitch Arr, a mini-opera created by Afarin Mansouri and Donna-Michelle St. […]

On March 3rd, the Dan Studio Series produced its winter installment, DSS: Jigsaw. There were clear aspects that DSS was able to innovate and progress upon based on the ubiquitous learning curve that creatives faced while adapting to a virtual environment last semester. 

What do famed Canadian comedians Lorne Greene, Robertson Davies and eleven current Queen’s students all have in common? Queen’s Players!   The oldest club at Queen’s University, dating back to 1900, Players describe themselves as “a cross between Saturday Night Live, a rock concert, and a kegger.”  In a non-COVID world, Players would consist of crowded performances at The Mansion full of flowing pitchers and Players singing along to pop hits […]

DSS, a long-running staple of the Queen’s University theatre scene, is a collection of short plays entirely written, directed and performed by Queen’s Students. I had an inkling that the theatre group that was already known for their innovative and boundary-pushing theatre in a pre-COVID world would be able to adapt to these unimaginable circumstances in inventive ways. Not only did they achieve this, but they were able to exceed all expectations.